Grant Wood: American Gothic and Other Fables

Mar 2–June 10, 2018


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Grant Wood’s working process was methodical. He made full-scale drawings of each of his paintings and lithographs before beginning to execute them in their final medium. In creating his figurative images, he worked from photographs and live models—often his friends. For his landscapes, he utilized a system called the principle of thirds, which called for drawing a grid of nine squares on top of a composition and adjusting the important visual elements so that they fell at the intersection of the grid’s horizontal and vertical lines. In keeping with his desire for precision, he built up the forms in his drawings by layering multiple small strokes, one on top of the other, in a process known as hatching.

Sketch for Approaching Storm, 1940

Sketch of men collecting bundles of hay as storm threatens in sky overhead.
Sketch of men collecting bundles of hay as storm threatens in sky overhead.

Grant Wood (1891–1942), Sketch for Approaching Storm, 1940. Conté crayon and chalk on paper, 11 3⁄4 x 9 in. (29.8 x 22.9 cm). Dubuque Museum of Art, Iowa; gift of Dr. Randall Lengeling and Bob Woodward 02.12.001. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY. Photograph by Stephen Gassman



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