Grant Wood: American Gothic and Other Fables

Mar 2–June 10, 2018


All

4 / 8

Previous Next

Murals

4

Grant Wood created his first mural in his mature, hard-edge style in 1932 to decorate the coffee shop of the Hotel Montrose in Cedar Rapids. Called Fruits of Iowa, the mural consisted of seven panels depicting a farm, a fruit basket, and members of a plump, ruddy-cheeked farm family. A year later, Iowa State University in Ames commissioned him to make murals for its library under the auspices of the Public Works of Art Project (PWAP), the federal government’s Depression-era relief program for artists established in December 1933. Wood chose as his theme a quotation from Daniel Webster’s 1840 remarks on agriculture: “When tillage begins, other arts follow.” His concurrent appointment as state director of the PWAP for Iowa limited his role to designing two murals for the university and supervising their execution by other artists. The first mural to be completed, devoted to agriculture, engineering, and homemaking, was installed at the top of the stairwell leading into the library in 1934; the second mural, showing a pioneer farmer plowing a field, was installed in the library’s lobby in 1937. 

Dinner for Threshers, 1934

Painting of threshers dining and wives serving them.
Painting of threshers dining and wives serving them.

Grant Wood, Dinner for Threshers, 1934. Oil on board, 20 x 80 in. (50.8 x 203.2 cm). Fine Arts Museums of San Francisco; gift of Mr. and Mrs. John D. Rockefeller 3rd 1979.7.105. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY

Buoyed by the patronage of public art under the administration of President Franklin Delano Roosevelt, Wood created this composition in the hope of generating a mural commission. The commission never came but this painting and its studies were exhibited widely. Due to Wood’s meticulous, hyperrealistic style, many viewers responded to the painting as if it were a mirror of reality, writing letters questioning its accuracy. Wood countered by defending the composition as coming from his own memories of threshing season and questioning why viewers would allow him to bisect the house in a cutaway design but quibble about such details as the position of the shadows under the chickens, the dishes being in the cupboard rather than on the table, the open screen door, and the uniformity of the chairs.



Explore works from this exhibition
in the Whitney's collection

View 5 works

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.