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Andy Warhol—
From A to B and 
Back Again
Nov 12, 2018–Mar 31, 2019


Few American artists are as ever-present and instantly recognizable as Andy Warhol (1928–1987). Through his carefully cultivated persona and willingness to experiment with non-traditional art-making techniques, Warhol understood the growing power of images in contemporary life and helped to expand the role of the artist in society. This exhibition—the first Warhol retrospective organized by a U.S. institution since 1989—reconsiders the work of one of the most inventive, influential, and important American artists. Building on a wealth of new materials, research and scholarship that has emerged since the artist’s untimely death in 1987, this exhibition reveals new complexities about the Warhol we think we know, and introduces a Warhol for the 21st century.

Explore the artworks below to learn more about the life and work of Andy Warhol.


Warhol Before Warhol

One of Madison Avenue’s most in-demand illustrators



Hand-Painted Pop

Scrutinizing the signs and symbols of postwar America



Mechanical Reproduction

Discovering the heroism of everyday objects (over and over again)



Silver Screens

From screen to canvas, Warhol reflects on our obsession with celebrity



Death and Disaster

Exploring the dark side of American culture



Most Wanted Men

A controversial mural for the 1964 World's Fair in Queens




Warhol perfects his systemic approach to art making




Warhol, (super) star maker




Warhol announces his “retirement” from painting



Performance and Experimentation

After a near-death experience, Warhol gets back to work




Warhol’s take on the most widely reproduced portrait in the world



Time Capsules

Boxing (and unboxing) Warhol’s personal archives



Ladies and Gentlemen

A major series depicts members of New York’s drag and trans community



Still Lifes and Shadows

Questioning how images create meaning




A radical new approach to abstract art




Warhol attempts to create a “portrait of society”



Andy Warhol Enterprises

The Factory expands its ventures in contemporary media




Warhol inspires—and is inspired by—a new generation of artists



The Last Supper

A meditation on militancy, spiritual sacrifice, and mourning



View all

Audio Guides

“Andy's work really goes to the heart of the matter of what it means to be a human being and what our potential is . . . It's the real deal.”—Jeff Koons

Hear from a range of contemporary artists, curators, and scholars speaking about iconic works on view. Contributors include Jeff Koons, Hank Willis Thomas, Deborah Kass, Peter Halley, Sasha Wortzel, and Richard Meyer.


In February 1966, Warhol announced that he was sponsoring a band: the Velvet Underground. After seeing them play one of their first shows, Warhol asked the Velvets—Lou Reed, John Cale, Sterling Morrison, and Maureen “Moe” Tucker—to provide musical accompaniment for a screening of his films. “We were doing what he was doing," Reed recalls, "except we were using music and he was doing it with lights.” Warhol later invited the band to rehearse at the Factory, providing them with new, louder amplifiers. He also recruited German chanteuse, Nico Päffgen, to serve as the band’s second lead vocalist. Warhol went on to produce and provide cover art for the band's first album, The Velvet Underground and Nico (1967), as well as to design the art for their second release, White Light/White Heat (1968). This playlist combines tracks from each of the Velvets' four albums, along with songs from solo releases by Cale, Reed and Nico through 1972.

Installation Photography

Tour New York With Warhol

Explore the spots where Andy Warhol lived, worked, and socialized.

Go to map

Shop the Exhibition

Visit the online shop to buy Whitney catalogues, exhibition-inspired gifts, and more.

Shop now

In the News

"It explores tensions between conformity and innovation, celebrity and privacy, and examines how Warhol expressed commentary and desire in his art."
PBS News Hour

"A sweeping retrospective shows a personal side of the Pop master — his hopes, fears, faith — and reasserts his power for a new generation."
The New York Times

“It can be guaranteed that 'From A to B and Back Again' will prove an inescapable cultural event. It also promises an equal intellectual bonanza.”

“'To humanize Warhol and get people to actually look at what he made is not as easy as it might sound.’ Now Ms. De Salvo is tackling that challenge in 'Andy Warhol—From A to B and Back Again,' the first Warhol retrospective organized by a United States museum since 1989.”
The New York Times

“His 15 minutes of fame will never expire. More than 350 works make up this major retrospective that spans Warhol’s entire career from illustrator to pop icon.”
Los Angeles Times

“In November, the Whitney Museum of American Art will feature the first U.S. retrospective of Andy Warhol’s art in some three decades, in an exhibition that will occupy a great deal of the institution’s eight-story, High Line-adjacent building.”
The New Yorker

“De Salvo said she believes that the show will inspire viewers to look past the persona that the artist cultivated during his lifetime.”

“What more is there to learn about this deeply superficial artist? The Whitney’s brilliant curator Donna De Salvo answers the question with the largest Warhol survey ever, featuring more than three hundred and fifty works.”
The New Yorker

“Titled 'Andy Warhol — From A to B and Back Again,' it stars a full cross-section of his epochal creations."
The New York Times

“The heart of Warhol’s idea — that by playing the role of businessman, an artist could turn himself into the latest, living example of a commodification he believed none of us can avoid — was perhaps as revolutionary in its time as Marcel Duchamp presenting a humble urinal as sculpture had been in 1917.”
The New York Times

“One of its most groundbreaking aspects will be the concentration on the least-known time of Warhol’s life, the 1950s.”
W Magazine

"All the possible aspects of his four-decades-long, multilayered practice, meticulously analyzed and presented."

“Andy is in the air we breathe. Among the most revolutionary artists who ever lived, Warhol (was) an artist in a state of creative grace feeding on, mirroring, doubling, and actually changing the culture he pictured. The Whitney’s new retrospective…isn’t to be missed.”
New York Magazine

"A remarkably handsome and topical show.”

“De Salvo aims to offer a unique perspective on his work—a personal one. She looks behind Warhol’s carefully constructed mask to explore how a gay man raised by Czech immigrants in a Catholic family became one of the world’s most experimental artists.”

“The wonderful thing about the Whitney show is that it places Warhol’s famous moments alongside the moments you have likely never seen or heard of… "
The Daily Beast

“It’s all about Andy!...More than three decades after his death, Warhol’s art continues to draw crowds and remains relevant.”
CBS New York

“There are plenty of hits— mediated and sequential images, experiments with abstraction, and Popism on full display.”

“The Best Part of the Whitney Warhol Retrospective Might Be His Pre-Fame Drawings of Shoes and Boys.”

"The Whitney’s celebrated Warhol extravaganza explores lesser-known elements of the Pop artist’s oeuvre, including his homoerotic drawings and portraits of men in drag from the 1960s.”

“Warhol didn’t make a mark on American culture. He became the instrument with which American culture designated itself.”
The New Yorker

"Warhol—a pale, oracular ghost—looms as a spiritual father of this media-saturated age.”
The Economist

About the Exhibition

The exhibition positions Warhol's career as a continuum, demonstrating that he didn't slow down after surviving the assassination attempt that nearly took his life in 1968, but entered into a period of intense experimentation. The show illuminates the breadth, depth, and interconnectedness of the artist’s production: from his beginnings as a commercial illustrator in the 1950s, to his iconic Pop masterpieces of the early 1960s, to the experimental work in film and other mediums from the 1960s and 70s, to his innovative use of readymade abstraction and the painterly sublime in the 1980s. His repetitions, distortions, camouflaging, incongruous color, and recycling of his own imagery challenge our faith in images and the value of cultural icons, anticipating the profound effects and issues of the current digital age.

This is the largest monographic exhibition to date at the Whitney's new location, with more than 350 works of art, many assembled together for the first time. 

The exhibition is organized by Donna De Salvo, Deputy Director for International Initiatives and Senior Curator, with Christie Mitchell, senior curatorial assistant, and Mark Loiacono, curatorial research associate.

The accompanying film program is co-organized with the Andy Warhol Museum, Pittsburgh, and curated by Claire K. Henry, assistant curator.

Leadership support of Andy Warhol—From A to B and Back Again is provided by Kenneth C. Griffin.

Bank of America is the National Tour Sponsor

In New York, exhibition is also sponsored by

Generous support is provided by Neil G. Bluhm and Larry Gagosian.

Major support is provided by The Brown Foundation, Inc., of Houston; Foundation 14; Mr. and Mrs. J. Tomilson Hill; The Horace W. Goldsmith Foundation; the Philip and Janice Levin Foundation; The Thompson Family Foundation, Inc.; and the Whitney’s National Committee.

Significant support is provided by the Blavatnik Family Foundation, Lise and Michael Evans, Susan and John Hess, Allison and Warren Kanders, Ashley Leeds and Christopher Harland, the National Endowment for the Arts, Brooke and Daniel Neidich, Per Skarstedt, and anonymous donors.

Additional support is provided by Bill and Maria Bell, Kemal Has Cingillioglu, Jeffrey Deitch, Andrew J. and Christine C. Hall, Constance and David Littman, the Mugrabi Collection, John and Amy Phelan, Louise and Leonard Riggio, Norman and Melissa Selby, Paul and Gayle Stoffel, Mathew and Ann Wolf, and Sophocles and Silvia Zoullas.

New York Magazine is the exclusive media sponsor.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Support for the catalogue is provided by Acquavella Galleries and the Paul J. Schupf Lifetime Trust.

The opening dinner is sponsored by

Related Exhibition

Also open from October 26–December 15, 2018, the Dia Art Foundation presents Andy Warhol, Shadows at 205 West 39th Street, a streetfront space in Calvin Klein, Inc.’s headquarters. The installation surrounds the viewer with a series of canvases, presented edge-to-edge around the perimeter of the room, in conformity with Warhol’s original vision. Following its New York presentation, the work reopens as a long-term installation at Dia:Beacon in 2019.



A 30-second online art project:
Ryan Kuo, Hateful Little Thing

Learn more

All visitors aged 12 and older must show proof they have received at least one dose of a COVID-19 vaccine for admission to the Whitney, in accordance with NYC requirements. Visitors aged 18 and older will also be asked to show photo ID. Face coverings are required for all visitors. Learn more about the Whitney’s safety guidelines.