Not on view
Date
c. 1970s
Classification
Photographs
Medium
Gelatin silver print
Dimensions
Sheet: 13 15/16 × 11in. (35.4 × 27.9 cm) Image: 6 7/8 × 4 11/16in. (17.5 × 11.9 cm)
Accession number
2020.53
Credit line
Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee
Rights and reproductions
© Anthony Barboza
Exhibitions
Installation photography
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Installation view of Working Together: The Photographers of the Kamoinge Workshop (Whitney Museum of American Art, New York, November 21, 2020–March 28, 2021). From left to right, top to bottom: Al Fennar, Caddy, 1965; Anthony Barboza, NYC, c. 1970s; Shawn Walker, Easter Sunday, Harlem (125th Street), 1972; Anthony Barboza, NYC, c. 1970s; Ming Smith, Amen Corner Sisters, Harlem, NY, c. 1976. Photograph by Ron Amstutz
From the exhibition Working Together: The Photographers of the Kamoinge Workshop
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Installation view of Working Together: The Photographers of the Kamoinge Workshop (Whitney Museum of American Art, New York, November 21, 2020–March 28, 2021). Left wall, from left to right, top to bottom: Al Fennar, Caddy, 1965; Anthony Barboza, NYC, c. 1970s; Shawn Walker, Easter Sunday, Harlem (125th Street), 1972; Anthony Barboza, NYC, c. 1970s; Ming Smith, Amen Corner Sisters, Harlem, NY, c. 1976. Middle wall, clockwise from far left: Kamoinge Workshop, Kamoinge Workshop Portfolio No. 1 (cover), 1964; Shawn Walker, Untitled, 1964; Calvin Wilson, Untitled, 1964; Al Fennar, Untitled, 1964; James M. Mannas Jr., Untitled, 1964; Herman Howard, Untitled, 1964; Herbert Randall, Harlem, New York, 1964; Vitrine: Kamoinge Workshop, Kamoinge Workshop Portfolio No. 2, 1965. Right wall, clockwise from top left: C. Daniel Dawson, Chas. Oyama Gordon, 1970; Ming Smith, Sun Ra space II, New York City, New York, 1978; Beuford Smith, Two Bass Hit, Lower East Side, 1972; Anthony Barboza, Okra Orchestra, Brooklyn, NY Rehearsal, 1978; from left to right: Louis H. Draper, John Coltrane, 1960–67; Herb Robinson, Miles Davis at the Vanguard, 1961; Louis H. Draper, Miles Davis, 1966; Ray Francis, Baka, c. 1966–68; C. Daniel Dawson, Amiri #10, 1970; James M. Mannas Jr., Mama, 139 West 117 Street, Apt. 4E, Harlem, NYC, 1963; Shawn Walker, Mirror Reflection, Bronx, 1969; Adger Cowans, Momma’s Ohio Piano, c. 1965; Ray Francis, Herman Howard, 1971. Photograph by Ron Amstutz
From the exhibition Working Together: The Photographers of the Kamoinge Workshop