Not on view
Date
1945
Classification
Prints
Medium
Etching, aquatint, and embossing
Dimensions
Sheet (Irregular): 14 1/4 × 19 5/16 in. (36.2 × 49.1 cm)
Plate: 9 1/4 × 12 7/8 in. (23.5 × 32.7 cm)
Accession number
85.38
Edition
4/20
Credit line
Purchase, with funds from the Print Committee
Rights and reproductions
© Estate of Alice Trumbull Mason / Licensed by VAGA at Artists Rights Society (ARS), New York
On behalf of Emily Mason, Trustee
Exhibitions
Installation photography
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Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right: Charmion von Wiegand, Untitled, c. 1942; Alice Trumbull Mason, Labyrinth of Closed Forms, 1945; Elaine de Kooning, Untitled, c. 1947; Rosalind Bengelsdorf, Compotier II, 1938. Photograph by Ron Amstutz
From the exhibition Labyrinth of Forms:<br>Women and Abstraction, 1930–1950
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Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right: Lee Krasner, Still Life, 1938; Charmion von Wiegand, Untitled, c. 1942; Alice Trumbull Mason, Labyrinth of Closed Forms, 1945; Elaine de Kooning, Untitled, c. 1947; Rosalind Bengelsdorf, Compotier II, 1938; Elise, Untitled (Abstract, Ovoids and Lines), c. 1935; Katherine Dreier, 40 Variations, 1934; Louise Nevelson, Untitled, 1934; Irene Rice Pereira, Abstract Composition, c. 1938; Minna Citron, Death of a Mirror, 1946; Blanche Lazzell, Untitled (Abstraction), 1932; Rosalind Bengelsdorf, Abstract Collage, 1937-38; Alice Trumbull Mason, March Time, c. 1950. Photograph by Ron Amstutz
From the exhibition Labyrinth of Forms:<br>Women and Abstraction, 1930–1950