Alice Trumbull Mason, Labyrinth of Closed Forms, 1945. Etching, aquatint, and embossing, sheet (Irregular): 14 1/4 × 19 5/16 in. (36.2 × 49.1 cm)
Plate: 9 1/4 × 12 7/8 in. (23.5 × 32.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Print Committee 85.38. © Estate of Alice Trumbull Mason / Licensed by VAGA at Artists Rights Society (ARS), New York
On behalf of Emily Mason, Trustee
Not on view
Date
1945
Classification
Prints
Medium
Etching, aquatint, and embossing
Dimensions
Sheet (Irregular): 14 1/4 × 19 5/16 in. (36.2 × 49.1 cm)
Plate: 9 1/4 × 12 7/8 in. (23.5 × 32.7 cm)
Accession number
85.38
Edition
4/20
Credit line
Purchase, with funds from the Print Committee
Rights and reproductions
© Estate of Alice Trumbull Mason / Licensed by VAGA at Artists Rights Society (ARS), New York
On behalf of Emily Mason, Trustee
Exhibitions
Installation photography
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Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right: Charmion von Wiegand, Untitled, c. 1942; Alice Trumbull Mason, Labyrinth of Closed Forms, 1945; Elaine de Kooning, Untitled, c. 1947; Rosalind Bengelsdorf, Compotier II, 1938. Photograph by Ron Amstutz
From the exhibition Labyrinth of Forms:
Women and Abstraction, 1930–1950 -
Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right: Lee Krasner, Still Life, 1938; Charmion von Wiegand, Untitled, c. 1942; Alice Trumbull Mason, Labyrinth of Closed Forms, 1945; Elaine de Kooning, Untitled, c. 1947; Rosalind Bengelsdorf, Compotier II, 1938; Elise, Untitled (Abstract, Ovoids and Lines), c. 1935; Katherine Dreier, 40 Variations, 1934; Louise Nevelson, Untitled, 1934; Irene Rice Pereira, Abstract Composition, c. 1938; Minna Citron, Death of a Mirror, 1946; Blanche Lazzell, Untitled (Abstraction), 1932; Rosalind Bengelsdorf, Abstract Collage, 1937-38; Alice Trumbull Mason, March Time, c. 1950. Photograph by Ron Amstutz
From the exhibition Labyrinth of Forms:
Women and Abstraction, 1930–1950