Not on view
Date
1961
Classification
Paintings
Medium
Oil on canvas
Dimensions
Overall: 45 3/4 × 69 3/8in. (116.2 × 176.2 cm)
Accession number
2002.253
Credit line
Whitney Museum of American Art, New York; gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President
Rights and reproductions
© Estate of Roy Lichtenstein,all rights reserved
Exhibitions
Installation photography
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Installation view of Where We Are: Selections from the Whitney’s Collection, 1900–1960 (Whitney Museum of American Art, New York, April 28, 2017–June 2, 2019). From left to right, top to bottom: Charles Sheeler, Geranium, c. 1926; Beauford Delaney, Untitled, 1948; Charles Sheeler, Living Room of New York Apartment of Louise and Walter Arensberg (Southeast Corner), c. 1918; Charles Sheeler, Living Room of New York Apartment of Louise and Walter Arensberg (Northwest Corner), c. 1918; George C. Ault, The Artist at Work, 1946; Roy Lichtenstein, Bathroom, 1961; Bill Taylor, Man in Blue House with Rooster, 1939–1942; Mabel Dwight, The Survivor, Staten Island, 1929; Walker Evans, Westchester, New York, Farmhouse, 1931, printed 1971; Edward Hopper, Cape Cod Sunset, 1934. Photograph by Ron Amstutz
From the exhibition Where We Are: Selections from the Whitney’s Collection, 1900–1960
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Installation view of Where We Are: Selections from the Whitney’s Collection, 1900–1960 (Whitney Museum of American Art, New York, April 28, 2017–June 2, 2019). From left to right, top to bottom: Charles Sheeler, Geranium, c. 1926; Beauford Delaney, Untitled, 1948; Roy Lichtenstein, Bathroom, 1961; Alex Katz, Ada on Blue, 1959; Edward Steichen, Mr. and Mrs. Sandburg, Elmhurst, Illinois (Vanity Fair), 1923; Alice Neel, Blanche Angel Pregnant, 1937; James Van Der Zee, Cousin Susan Porter, 1915; Gordon Parks, Untitled, 1950; Fairfield Porter, Portrait of Ted Carey and Andy Warhol, 1960. Photograph by Ron Amstutz
From the exhibition Where We Are: Selections from the Whitney’s Collection, 1900–1960