The Large Glass: enclosures for book no. 7

A collection of various artworks and artifacts displayed on a neutral background. The centerpiece is a red, open box containing multiple compartments, each holding different items such as a small sculpture, a bottle, and several framed pieces of art. Surrounding the box are additional framed artworks and photographs laid out, some with descriptive text beneath them. The collection appears to be part of an exhibition or a curated set.

Marcel Duchamp
Series F Boîte
1966

A collection of handwritten letters and documents spread out on a grey surface, with some mounted on black paper with yellow labels, alongside a black-and-white photograph of a person writing and a white book with a line drawing on the cover.

Marcel Duchamp
The White Box (A l'Infinitif)
1966

A minimalist line drawing on a textured off-white paper featuring abstract geometric shapes and lines that suggest a mechanical or structural form. The artwork is signed "Marcel Duchamp" at the bottom left and numbered "7/30" at the bottom right.

Marcel Duchamp
The Bride
1965–1966

A sketch on paper depicting an abstract, linear figure that appears to be a fragmented, mechanical form, possibly representing a figure in motion or a machine. The drawing is executed with delicate lines, and there are handwritten inscriptions at the bottom. The paper has a rough texture and uneven edges, suggesting it may be an artist's proof or a work in progress.

Marcel Duchamp
The Bride
1965–1966

A minimalist line drawing on textured paper featuring abstract human figures and shapes, with the artist's signature and edition number at the bottom.

Marcel Duchamp
The Nine Malic Moulds
1965–1966

A minimalist etching on paper featuring abstract figures with fragmented bodies and indistinct features. The artwork is numbered 7/30 at the bottom left and signed by the artist on the bottom right. The paper has a textured, off-white background that enhances the delicate line work of the drawing.

Marcel Duchamp
The Nine Malic Moulds
1965–1966

A minimalist line drawing on off-white paper featuring abstract geometric shapes, possibly representing a mobile or kinetic sculpture, with a signature at the bottom left and edition number at the bottom right.

Marcel Duchamp
The Sieves
1965–1966

A minimalist line drawing on textured paper featuring an abstract composition that resembles a mobile with geometric shapes, possibly cones or pyramids, suspended from horizontal lines. The artwork includes a signature at the bottom right, an edition number at the bottom left, and is predominantly in grayscale tones.

Marcel Duchamp
The Sieves
1965–1966

An abstract etching on textured paper featuring geometric shapes and lines, with a circle above a horizontal line, and a starburst pattern below encircled by an oval. The artist's signature and edition number are handwritten at the bottom.

Marcel Duchamp
The Oculist Witness
1965–1966

A minimalist black and white etching on textured paper featuring abstract geometric shapes, including a circle balanced on a diagonal line above a series of concentric circles. The artwork is numbered and signed by the artist in pencil at the bottom left corner.

Marcel Duchamp
The Oculist Witness
1965–1966

A sketch of a geometric structure on off-white paper, featuring a three-dimensional rectangular frame with vertical and horizontal lines, and a set of stairs within the frame. The drawing is minimalistic, with an artist's signature at the bottom left and initials with a date at the bottom right.

Marcel Duchamp
The Water Mill
1965–1966

A pencil drawing on textured paper depicting an abstract geometric composition with a series of lines and shapes suggesting a three-dimensional form. The artwork includes a signature at the bottom right and is numbered on the bottom left.

Marcel Duchamp
The Water Mill
1965–1966

$A minimalist line drawing on off-white paper featuring an abstract, elongated shape with three square-like forms inside, resembling a schematic or a map. The drawing includes handwritten text at the bottom left and a fraction at the bottom right, suggesting it may be part of a limited series.$

Marcel Duchamp
The Top Inscription
1965–1966

A minimalist drawing on textured paper featuring an abstract, cloud-like shape with four square voids in a row. The shape has a rough, penciled outline with some areas shaded in gray. To the left, there are a few sketched lines suggesting a figure or object. The bottom left corner has the edition number "7/30," and the bottom right corner contains the signature "Marcel Duchamp." There are some scattered dots below the main shape.

Marcel Duchamp
The Top Inscription
1965–1966

A minimalist line drawing on a textured off-white paper featuring an abstract mobile-like structure with geometric shapes suspended from horizontal rods. The artist's signature is visible in the lower left corner, and there is a notation in the lower right corner.

Marcel Duchamp
The Chocolate Grinder
1965–1966

$A sketch of a mechanical-looking object with four elongated arms extending from a central pole, each arm ending with a sphere. Below the arms, a series of overlapping geometric shapes resembling petals or leaves hang from the structure. The image is monochromatic with a signature at the bottom right and a fraction notation at the bottom left on a textured paper background.$

Marcel Duchamp
The Chocolate Grinder
1965–1966

A black and white line drawing on a vertical sheet of paper featuring abstract and mechanical elements. The upper left shows a figure with disjointed limbs, while the upper right displays a cloud-like shape with four rectangles hanging beneath it. The lower half of the image contains a complex assembly of geometric shapes and mechanical parts, resembling a contraption with hanging garments and a series of pulleys. The artist's signature is in the lower left corner, and there are numerical notations on the bottom right.

Marcel Duchamp
The Large Glass
1965–1966

A black and white etching featuring two separate abstract mechanical compositions on a textured paper. The upper section shows a fragmented machine-like figure next to a series of four blank rectangles within a cloud-like form. The lower section depicts a more complex assembly of geometric shapes, gears, and suspended forms resembling clothing on a line, all connected to a scaffold structure. The artist's signature and edition number are visible at the bottom.

Marcel Duchamp
The Large Glass
1965–1966

A detailed etching on paper featuring a collection of abstract mechanical and geometric shapes. The upper section shows a fragmented line with hanging rectangles, while the lower section displays a complex assembly of forms resembling machinery or parts of a contraption, with clothing items hanging on a line. The artwork includes both black and red ink, with some elements highlighted in red, and is signed at the bottom.

Marcel Duchamp
The Large Glass Completed
1965–1966

A greenish-gray painted board with the phrase "LA MARIEE MISE A NU PAR SES CELIBATAIRES MEME" arranged in staggered lines, created with white dots that appear to be either small holes or raised dots, giving the text a tactile or braille-like quality.

Marcel Duchamp
The Green Box (The Bride Stripped Bare by Her Bachelors, Even)
1934

The Large Glass: enclosures for book no. 7

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