Bernadette Corporation, Creation of a False Feeling, 2000. Inkjet print: sheet, 70 1/2 x 49 13/16 in. (179.1 x 126.5); image, 60 11/16 x 47 1/16 in. (154.1 x 119.5) Promised gift of Thea Westreich Wagner and Ethan Wagner P.2014.10 © Bernadette Corporation
Collected by Thea Westreich Wagner and Ethan Wagner
Nov 20, 2015–Mar 6, 2016
Bernadette Corporation, Creation of a False Feeling, 2000. Inkjet print: sheet, 70 1/2 x 49 13/16 in. (179.1 x 126.5); image, 60 11/16 x 47 1/16 in. (154.1 x 119.5) Promised gift of Thea Westreich Wagner and Ethan Wagner P.2014.10 © Bernadette Corporation
Co-organized by the Whitney and the Centre Pompidou and composed of selections from the noted collection of Thea Westreich Wagner and Ethan Wagner, this exhibition celebrates American and international work from the 1960s to the present day. Featuring renowned pieces by, among many others, Diane Arbus, Robert Gober, Jeff Koons, Sherrie Levine, Richard Prince, and Christopher Wool, the exhibition will also include recent work by artists such as Liz Deschenes, Sam Lewitt, Laura Owens, Frances Stark, and Bernadette Corporation. Of the 800 works included in the gift from Thea Westreich Wagner and Ethan Wagner, 550 will enter the Whitney’s permanent collection, and approximately 300 will become part of the collection of the Centre Pompidou.
Collected by Thea Westreich Wagner and Ethan Wagner is organized by Elisabeth Sussman, curator and Sondra Gilman Curator of Photography, Whitney Museum of American Art, and Christine Macel, chief curator and head of the department of contemporary and prospective creation, Centre Pompidou, with Elisabeth Sherman, assistant curator, Whitney Museum of American Art.
The exhibition travels to the Centre Pompidou after debuting at the Whitney.
Collected by Thea Westreich Wagner and Ethan Wagner is presented by the Whitney Museum of American Art, New York, in collaboration with Centre Pompidou, Musée national d'art moderne, Paris.
Major Support for this exhibition is provided by the National Committee of the Whitney Museum of American Art.
Generous support is provided by The Brown Foundation, Inc., of Houston.
Artworks
Charline von Heyl (b. 1960), Boogey, 2004. Acrylic, oil, and charcoal on canvas. 82 1/16 × 78 1/8 (208.4 × 198.4). Whitney Museum of American Art, New York; promised gift of Thea Westreich Wagner and Ethan Wagner P.2011.472. Courtesy of the artist and Petzel, New York
Richard Prince (b. 1949), Untitled (Cowboy), 1980–84. Chromogenic print: sheet and image, 43. 5/8 × 29 3/8 (110.8 × 74.6). Edition no. 2/2. Whitney Museum of American Art, New York; promised gift of Thea Westreich Wagner and Ethan Wagner P.2011.328. © Richard Prince
Robert Gober, The Ascending Sink, 1985. Plaster, wood, wire lath, steel, and enamel, two parts: 92 x 38 x 27 in. (233.7 x 96.5 x 68.6 cm). Whitney Museum of American Art, New York; promised gift of Thea Westreich Wagner and Ethan Wagner. P.2011.167. © Robert Gober
Sam Lewitt, Paper Citizen 4322, 2010. Chromogenic print: sheet. 63 3/8 × 49 5/8 in. (161 × 126 cm.); image, 62 1/2 × 48 7/8 in. (158.8 × 124.1 cm). Edition no. 1/3. Whitney Museum of American Art, New York; promised gift of Thea Westreich Wagner and Ethan Wagner P.2011.250. Courtesy the artist and Miguel Abreu Gallery, New York
Liz Deschenes, Green Screen #7, 2001. Chromogenic print: sheet, 49 9/16 × 66 (125.9 × 167.6). Whitney Museum of American Art, New York; promised gift of Thea Westreich Wagner and Ethan Wagner P.2014.12. Courtesy the artist and Miguel Abreu Gallery, New York
Bernadette Corporation, Creation of a False Feeling, 2000. Inkjet print: sheet. 70 1/2 × 49 13/16 (179.1 × 126.5); image, 60 11/16 × 47 1/16 (154.1 × 119.5). Whitney Museum of American Art, New York; promised gift of Thea Westreich Wagner and Ethan Wagner P.2014.10. Courtesy Greene Naftali Gallery
Hito Steyerl (b. 1966), Red Alert, 2007. Three-channel digital video, color, sound; 00:30 min. each looped; three 30-inch flat-screen monitors, three Apple Mac minis, mounting system, and connecting hardware, edition no. 3, 2 AP. Centre Pompidou, Musée national de art moderne, Paris; Whitney Museum of American Art, New York; promised gift of Thea Westreitch Wagner and Ethan Wagner. Courtesy the artist and Andrew Kreps Gallery, New York
Marc-Camille Chaimowicz (b. 1947), Basel Sequence, 2011. Acrylic on plywood and graphite, pastel, and paint on paper, six parts: five boards, 96 × 48 (243.8 × 121.9) each; framed drawing, 15 1/2 × 12 3/4 (39.4 × 32.4). Centre Pompidou, Musée national de art moderne, Paris; Whitney Museum of American Art, New York; promised gift of Thea Westreitch Wagner and Ethan Wagner. Courtesy the artist and Andrew Kreps Gallery, New York
Events
View all-
Thurs,
Mar 10
Why Contemporary Art Matters: Politics and Aesthetics Today
6:30–8 pm
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Thurs,
Mar 10
Why Contemporary Art Matters: Politics and Aesthetics Today
1–2:30 pm
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Sun,
Mar 6
Open Studio:
Jamie Isenstein10:30 am–3 pm
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Sun,
Mar 6
Jamie Isenstein:
Infinite Invisible Soft-Shoe10:30 am–6 pm
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Sun,
Mar 6
Weekend Member Early Admission
9:30–10:30 am
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Sat,
Mar 5
Lecture and Exhibition Tour: Collecting Art, Supporting Artists
5:30–7:30 pm
Audio Guides
Bernadette Corporation, Creation of a False Feeling, 2000. Inkjet print: sheet, 70 1/2 x 49 13/16 in. (179.1 x 126.5); image, 60 11/16 x 47 1/16 in. (154.1 x 119.5) Promised gift of Thea Westreich Wagner and Ethan Wagner P.2014.10 © Bernadette Corporation
Listen to this audio guide of selected works in the exhibition, Collected by Thea Westreich Wagner and Ethan Wagner, co-organized by the Whitney and the Centre Pompidou.
Installation Photography
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
Installation view of Collected by Thea Westreich Wagner and Ethan Wagner (Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016). Photograph by Ronald Amstutz.
The Westreich Wagner and Wagner Collection
This exhibition includes a selection of works from the Thea Westreich Wagner and Ethan Wagner Collection. To view all works in the Whitney's permanent collection gifted by Westreich Wagner and Wagner, visit the collection online.
A red-tinted screenprint of a red flag by Reena Spaulings.
Exhibition Catalogue
Published on the occasion of an exhibition celebrating Thea Westreich Wagner and Ethan Wagner’s gift of nearly five hundred fifty works of art to the Whitney Museum and more than three hundred to the Centre Pompidou, Paris, this catalogue presents highlights of the extraordinary contemporary art collection the couple has accumulated over the course of more than thirty years.
The excerpt available here includes the first part of an interview with the collectors, conducted by curators Elisabeth Sussman and Christine Macel, as well as full-color plates featuring works the couple acquired in the 1980s by artists including John Dogg, Jacques Flechemuller, Robert Gober, Jenny Holzer, Jeff Koons, Zoe Leonard, Sherrie Levine, Joyce Pensato, Richard Prince, Cindy Sherman, and Christopher Wool.
Read an excerpt from the catalogue
Buy nowIn the News
"2015 was the Year of the Whitney. . .the cross-disciplinary approach taken by America Is Hard to See and Collected by Thea Westreich Wagner and Ethan Wagner, is becoming the model for a new generation of curators."
—Hyperallergic
"Wagner Collection at the Whitney, Twenty-Five Years of Astute Buying"
—The New York Times
"At the Whitney, Thea and Ethan Wagner Show the Fruits of Prescient Collecting"
—The New York Times