Jeff Koons: A Retrospective

June 27–Oct 19, 2014


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Banality

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Expanding on the lowbrow subjects of Statuary, Koons’s next series, Banality, ventured further into the realm of kitsch. Unlike his earlier sculptures based on readymade sources, those in Banality are mash-ups of stuffed animals, gift shop figurines, and images taken from magazines, product packaging, films, and even Leonardo da Vinci. Nothing was too corny, too cloying, or too cute. Working with traditional German and Italian craftsmen who made decorative and religious objects, Koons enlarged his subjects and rendered them in gilt porcelain and polychromed wood, materials more associated with housewares and tchotchkes than contemporary art. As with his previous series, he conceived of Banality as an elaborate allegory, this one aimed at freeing us to embrace without embarrassment our childhood affection for toys or the trinkets lining our grandparents’ shelves.

Saint John the Baptist, 1988

Jeff Koons, Saint John the Baptist, 1988. Porcelain; 56 1⁄2 x 30 x 24 1⁄2 in. (143.5 x 76.2 x 62.2 cm). Edition no. 3/3. The Sonnabend Collection, Nina Sundell, and Antonio Homem. © Jeff Koons



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