Henry Taylor: B Side

Oct 4, 2023–Jan 28, 2024


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From 1984 to 1995 Taylor worked as a psychiatric technician on the night shift at the now-shuttered Camarillo State Mental Hospital, where he cared for adults living with developmental disabilities or mental illness as well as those seeking treatment for substance use disorders. The pencil sketches he made of patients with whom he had close, sustained relationships are among his earliest works. Known as the “Camarillo Drawings,” many include quotes from the sitters or Taylor’s own stream-of-conscious notes. The empathetic observation of physical and psychological states that Taylor developed at Camarillo would become a hallmark of his portrait drawings and paintings.

By day, Taylor studied at Oxnard Community College (1985–90) and the California Institute of the Arts (1990–95). The paintings he made during this period merge his sensitivity to emotions with bold color and the graphic vocabulary of popular culture.

Henry Taylor, Screaming Head, 1999

Against a teal background, a dark-skinned figure wearing a yellow shirt and blue jeans sits on a green bench. They lean forward, with their elbows on their knees and their hands wrapped around their head. Their mouth is open wide and oversized, taking up the entire surface of their head such that no other facial features are visible.
Against a teal background, a dark-skinned figure wearing a yellow shirt and blue jeans sits on a green bench. They lean forward, with their elbows on their knees and their hands wrapped around their head. Their mouth is open wide and oversized, taking up the entire surface of their head such that no other facial features are visible.

Henry Taylor, Screaming Head, 1999. Oil on canvas, 29 7/8 × 24 × 3/4 in. (75.8 × 60.9 × 1.9 cm). Courtesy the artist and Hauser & Wirth. © Henry Taylor. Photograph by Jeff McLane


On the Hour

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Maya Man, A Realistic Day In My Life Living In New York City

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