Beginning in the late 1970s, David Wojnarowicz (1954–1992) created a body of work that spanned photography, painting, music, film, sculpture, writing, and activism. Largely self-taught, he came to prominence in New York in the 1980s, a period marked by creative energy, financial precariousness, and profound cultural changes. Intersecting movements—graffiti, new and no wave music, conceptual photography, performance, and neo-expressionist painting—made New York a laboratory for innovation. Wojnarowicz refused a signature style, adopting a wide variety of techniques with an attitude of radical possibility. Distrustful of inherited structures—a feeling amplified by the resurgence of conservative politics—he varied his repertoire to better infiltrate the prevailing culture.
Wojnarowicz saw the outsider as his true subject. Queer and later diagnosed as HIV-positive, he became an impassioned advocate for people with AIDS when an inconceivable number of friends, lovers, and strangers were dying due to government inaction. Wojnarowicz’s work documents and illuminates a desperate period of American history: that of the AIDS crisis and culture wars of the late 1980s and early 1990s. But his rightful place is also among the raging and haunting iconoclastic voices, from Walt Whitman to William S. Burroughs, who explore American myths, their perpetuation, their repercussions, and their violence. Like theirs, his work deals directly with the timeless subjects of sex, spirituality, love, and loss. Wojnarowicz, who was thirty-seven when he died from AIDS-related complications, wrote: “To make the private into something public is an action that has terrific ramifications.”
This exhibition is co-curated by David Kiehl, Curator Emeritus, and David Breslin, DeMartini Family Curator and Director of the Collection.
Major Support for David Wojnarowicz: History Keeps Me Awake at Night is provided by the Ford Foundation; The Thompson Family Foundation, Inc.; and The Andy Warhol Foundation for the Visual Arts.
Significant support is provided by The Keith Haring Foundation Exhibition Fund, Brooke and Daniel Neidich, the Trellis Fund, and the Whitney’s National Committee.
Generous support is provided by Philip Aarons and Shelley Fox Aarons, Susan and John Hess, Nancy and Fred Poses, The Robert Mapplethorpe Foundation, and Fern and Lenard Tessler.
Additional support is provided by James E. Cottrell and Joseph F. Lovett, the Daniel W. Dietrich II Foundation, and Gregory R. Miller and Michael Wiener.
Also open concurrently, The Unflinching Eye: The Symbols of David Wojnarowicz is on view at NYU's Mamdouha Bobst Gallery through September 30, 2018, and Soon All This Will be Picturesque Ruins: The Installations of David Wojnarowicz is on view at P.P.O.W through August 24, 2018.