David Wojnarowicz: History Keeps Me Awake at Night

July 13–Sept 30, 2018


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Gallery 6

6

Wojnarowicz filmed constantly in the mid-to-late 1980s, bringing his Super 8 camera with him on his frequent travels. At the end of October 1986, he went to Mexico where he filmed the Day of the Dead festivities and other scenes at Teotihuacán. This footage includes fire ants climbing on objects such as clocks, currency, and a crucifix that Wojnarowicz brought with him. Wojnarowicz, who was raised Roman Catholic, would later speak of Jesus Christ as one who “took on the suffering of all people.” As the AIDS crisis intensified, he sought to find a symbolic language that encapsulated ideas of spirituality, mortality, vulnerability, and violence. He began to edit the Mexican footage into a film entitled A Fire in My Belly, but it was never finished. Ravenous for the world and its offerings, Wojnarowicz used film as form of second sight, a visual notebook, and a record for us to see the world—at least in ashes—as he did.

Installation view of Gallery 6

Installation view of David Wojnarowicz exhibition.
Installation view of David Wojnarowicz exhibition.

Installation view of David Wojnarowicz: History Keeps Me Awake at Night (Whitney Museum of American Art, New York, July 13–September 30, 2018). From left to right: Unfinished Film (A Fire in My Belly), 1986-87; Unfinished Film (Mexico, etc… Peter, etc…), 1987; Unfinished Film (with sequence in memory of Peter Hujar), c. 1987; Unfinished Film (Mexico Film Footage II), c. 1988; Water, 1987. Photograph by Ron Amstutz



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