Eleanor Antin

Stopping on the Bridge to catch a Fish
1977

A sepia-toned photograph depicting two figures standing on a narrow bridge over a calm body of water, surrounded by trees with a handwritten caption "Stopping on the 13 bridge to catch a fish." The photo is mounted on a brown mat board.
A sepia-toned photograph depicting two figures standing on a narrow bridge over a calm body of water, surrounded by trees with a handwritten caption "Stopping on the 13 bridge to catch a fish." The photo is mounted on a brown mat board.

Not on view

Date
1977

Classification
Photographs

Medium
Gelatin silver print mounted on paper, with ink

Dimensions
Mount: 18 × 13in. (45.7 × 33 cm) Sheet (Sight): 7 × 9 11/16in. (17.8 × 24.6 cm) Image (Sight): 6 3/4 × 9 3/4in. (17.1 × 24.8 cm) Frame: 19 × 14 × 1 1/2in. (48.3 × 35.6 × 3.8 cm)

Accession number
95.67.6

Edition
1/1

Credit line
Whitney Museum of American Art, New York; purchase, with funds from Joanne Leonhardt Cassullo and the Photography Committee

Rights and reproductions
Courtesy Ronald Feldman Fine Arts, New York

API
artworks/9718

Part of a series:

The Angel of Mercy: The Nightingale Family Album

25 works

A sepia-toned vintage photograph mounted on a brown paper background, depicting three people in a garden setting. A man in a suit and top hat is seated next to a woman in a full-skirted dress and bonnet, both are looking at a book held by a young boy. The image is captioned with the phrase "A charming passage" in cursive handwriting at the bottom.
A sepia-toned vintage photograph depicting a group of women in period clothing, possibly from the late 19th or early 20th century, engaging in an outdoor activity. Some women appear to be dancing or in motion, while others are interacting with each other. The setting is a grassy field with trees in the background. The photo is mounted on a brown mat board with a handwritten inscription at the bottom.
A sepia-toned photograph of a woman in a vintage dress with voluminous sleeves and a full skirt, posing with one hand on her hip and the other holding a bunch of flowers. The photo is mounted on a brown paper with a handwritten signature at the bottom right corner.
A sepia-toned photograph mounted on a brown paper mat. The photo depicts three individuals in vintage clothing, with two women in dresses and a man in a suit, standing under a tree. The scene appears to be from an earlier era, and there is a signature at the bottom right of the mat.
A vintage black and white photograph depicting an indoor scene with five individuals in period clothing. Two women stand by an open window, one appears to be holding a sheet of music, while a man in a wheelchair is being attended to by another standing man. A woman is seated at a piano, seemingly playing it. The photo is mounted on a brown mat with the handwritten inscription "Country Air" at the bottom.
A vintage black and white photograph of a woman in period clothing seated with a puppet on her lap, mounted on a brown paper background with handwritten text "Myself 1853" below the image.
A vintage black and white portrait of a woman mounted on a brown paper mat. The woman is dressed in a dark, old-fashioned dress with a lace collar and is seated with her hands folded in her lap. Below the portrait, handwritten text reads "Myself" followed by the number "7854."
A vintage black and white photograph of a woman mounted on a brown paper background. The woman is dressed in a dark dress with a white collar and cuffs, and she is wearing a bonnet. Below the photograph, handwritten text reads "Myself 1855."
A vintage black and white photograph mounted on a brown paper background. The photo depicts a person in a long dress and a person in a suit and hat dancing or spinning together outdoors. Handwritten text at the bottom of the mount reads "91 Too high, Joe."
A sepia-toned photograph mounted on brown paper featuring three individuals on a balcony surrounded by foliage. Two are standing and one is seated, with their faces partially obscured by hats and the angle of the shot. The image has a signature at the bottom right on the mounting paper.

Eleanor Antin
67 works in the collection

View artist