George Stillman

Untitled

1948

Not on view

Date
1948

Classification
Prints

Medium
Offset lithograph

Dimensions
Sheet: 11 × 9 9/16in. (27.9 × 24.3 cm) Image: 10 1/8 × 8 1/8in. (25.7 × 20.6 cm) Mount: 12 5/8 × 10 1/8in. (32.1 × 25.7 cm)

Accession number
93.40.15

Edition
Ed. 200

Publication
Printed and published by Eric Ledin

Credit line
Whitney Museum of American Art, New York; purchase, with funds from the Print Committee

Rights and reproductions
© artist or artist's estate

API
artworks/9039

Part of a series:
Drawings
16 works

Abstract black and white etching with expressive lines and shapes on paper.
Abstract black and white etching with chaotic lines and circular patterns on paper.
Abstract black and white etching with chaotic lines and circular patterns suggesting a frenetic, industrial scene.
A black and white abstract print featuring bold, organic shapes and brushstrokes with a contrasting dark background and lighter foreground elements. The artwork is signed in the lower right corner. It is mounted on a white mat board.
A black and white abstract print with dynamic brushstrokes and contrasting shapes. The artwork is signed in the lower right corner. It is mounted on a white background that frames the piece.
An abstract black and white lithograph featuring expressive lines and shaded areas that create a dynamic and somewhat ambiguous form, with the artist's signature at the bottom right.
A black and white abstract print with dynamic brush strokes and contrasting dark and light areas, signed "Kadishman" at the bottom right corner.
Black and white abstract print with bold, dynamic shapes and lines, signed by the artist in the lower right corner. The composition is dominated by contrasting dark and light areas, creating a sense of movement and depth.
A black and white abstract drawing featuring bold, erratic lines and shapes on a cream-colored paper. The composition is dominated by angular, intersecting lines that create a sense of dynamic movement. The artist's signature is visible at the bottom right corner.
Abstract black brush strokes on a beige paper background, suggesting a loose, expressive drawing, with a signature at the bottom right corner.


On the Hour

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Maya Man, A Realistic Day In My Life Living In New York City

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