Richard Diebenkorn

Untitled
1948

Not on view

Date
1948

Classification
Prints

Medium
Offset lithograph

Dimensions
Sheet: 11 × 8 1/2in. (27.9 × 21.6 cm) Image: 10 13/16 × 8 1/2in. (27.5 × 21.6 cm) Mount: 12 3/4 × 10 1/8in. (32.4 × 25.7 cm)

Accession number
93.40.1

Edition
Ed. 200

Publication
Printed and published by Eric Ledin

Credit line
Whitney Museum of American Art, New York; purchase, with funds from the Print Committee

Rights and reproductions
© Richard Diebenkorn Foundation

API
artworks/9027

Part of a series:

Drawings

16 works

Abstract black and white etching with chaotic lines and circular patterns on paper.
A black and white abstract print with dynamic brushstrokes and contrasting shapes. The artwork is signed in the lower right corner. It is mounted on a white background that frames the piece.
A black and white abstract print featuring bold, organic shapes and brushstrokes with a contrasting dark background and lighter foreground elements. The artwork is signed in the lower right corner. It is mounted on a white mat board.
A black and white abstract print with bold, dark brushstrokes and contrasting light areas, creating a dynamic and somewhat industrial composition. The artist's signature is visible in the lower right corner.
A black and white abstract print with dynamic brush strokes and contrasting dark and light areas, signed "Kadishman" at the bottom right corner.
An abstract black and white lithograph featuring expressive lines and shaded areas that create a dynamic and somewhat ambiguous form, with the artist's signature at the bottom right.
A black and white abstract drawing featuring bold, erratic lines and shapes on a cream-colored paper. The composition is dominated by angular, intersecting lines that create a sense of dynamic movement. The artist's signature is visible at the bottom right corner.
Abstract black brush strokes on a beige paper background, suggesting a loose, expressive drawing, with a signature at the bottom right corner.
A black and white abstract print featuring bold, dark brushstrokes that create a sense of vertical movement, with lighter areas that suggest a figure or forms emerging from the darkness. The artist's signature is visible in the lower right corner. The print is mounted on a cream-colored mat.
Black and white abstract print featuring a complex array of geometric and irregular shapes that create a fragmented, mosaic-like composition. Some shapes suggest elements of a maritime scene with what appears to be masts and sails interspersed throughout. The artwork is signed in the lower right corner.


On the Hour

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