Elise, Untitled (Abstract, Ovoids and Lines), c. 1935. Lithograph, sheet (Irregular): 19 × 12 1/2 in. (48.3 × 31.8 cm) Image: 9 3/4 × 7 1/2 in. (24.8 × 19.1 cm). Whitney Museum of American Art, New York; purchase, with funds from the Print Committee 92.121
Not on view
Date
c. 1935
Classification
Prints
Medium
Lithograph
Dimensions
Sheet (Irregular): 19 × 12 1/2 in. (48.3 × 31.8 cm)
Image: 9 3/4 × 7 1/2 in. (24.8 × 19.1 cm)
Accession number
92.121
Edition
TP | Ed. 20 or 35
Publication
Printed by Lynton R. Kister
Credit line
Purchase, with funds from the Print Committee
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
-
Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right: Elise, Untitled (Abstract, Ovoids and Lines), c. 1935; Katherine Dreier, 40 Variations, 1934; Louise Nevelson, Untitled, 1934. Photograph by Ron Amstutz
From the exhibition Labyrinth of Forms:
Women and Abstraction, 1930–1950 -
Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right: Lee Krasner, Still Life, 1938; Charmion von Wiegand, Untitled, c. 1942; Alice Trumbull Mason, Labyrinth of Closed Forms, 1945; Elaine de Kooning, Untitled, c. 1947; Rosalind Bengelsdorf, Compotier II, 1938; Elise, Untitled (Abstract, Ovoids and Lines), c. 1935; Katherine Dreier, 40 Variations, 1934; Louise Nevelson, Untitled, 1934; Irene Rice Pereira, Abstract Composition, c. 1938; Minna Citron, Death of a Mirror, 1946; Blanche Lazzell, Untitled (Abstraction), 1932; Rosalind Bengelsdorf, Abstract Collage, 1937-38; Alice Trumbull Mason, March Time, c. 1950. Photograph by Ron Amstutz
From the exhibition Labyrinth of Forms:
Women and Abstraction, 1930–1950