Classification
Drawings
Medium
Oil stick and ballpoint pen on paper
Dimensions
Sheet (Irregular): 19 5/8 × 15 1/2 in. (49.8 × 39.4 cm)
Accession number
91.15
Credit line
Purchase, with funds from Mrs. William A. Marsteller, The Norman and Rosita Winston Foundation, Inc. and the Drawing Committee
Rights and reproductions
© The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York
Exhibitions
Installation photography
-
Installation view of Around Day’s End: Downtown New York, 1970–1986 (Whitney Museum of American Art, New York, September 3–November 1, 2020). From left to right: Jean-Michel Basquiat, Untitled (Plaid), 1982; Jean-Michel Basquiat, Untitled, 1982; Anton van Dalen, Street Woman on Car, 1977; Christo, Package on Hand Truck, 1973; David Hammons, Delta Spirit, 1985; Vitrine, clockwise: Avalanche, Fall 1971; Carol Goodden, Documentation of Gordon Matta-Clark’s Jacks, 1971; Carol Goodden, Documentation of Gordon Matta-Clark’s Jacks, 1971; Carol Goodden, Documentation of Gordon Matta-Clark’s Jacks, 1971; Carol Goodden, Documentation of Gordon Matta-Clark’s Jacks, 1971; Carol Goodden, Documentation of Gordon Matta-Clark’s Jacks, 1971; Peter Hujar, Canal Street Piers: Fake Men on the Stairs, 1983; David Wojnarowicz, Arthur Rimbaud in New York, 1978 (printed 1990). Photograph by Ron Amstutz
From the exhibition Around Day’s End: Downtown New York, 1970–1986
-
Installation view of Around Day’s End: Downtown New York, 1970–1986 (Whitney Museum of American Art, New York, September 3–November 1, 2020). From left to right: Martin Wong, Closed, 1984–85; Jean-Michel Basquiat, Untitled (Plaid), 1982; Jean-Michel Basquiat, Untitled, 1982; Anton van Dalen, Street Woman on Car, 1977. Photograph by Ron Amstutz
From the exhibition Around Day’s End: Downtown New York, 1970–1986
-
Installation view of Around Day’s End: Downtown New York, 1970–1986 (Whitney Museum of American Art, New York, September 3–November 1, 2020). From left to right: Jean-Michel Basquiat, Untitled (Plaid), 1982; Jean-Michel Basquiat, Untitled, 1982; Anton van Dalen, Street Woman on Car, 1977; Mel Bochner, Pier 18, Instruction Card: Measurement Series, 1971; Harry Shunk and János Kender, Mel Bochner, “Measurement Series,” 1971; Robert Morris, Pier 18, Instruction Card: Configurations in Anticipation of the Equinox Sunset, 1971; Harry Shunk and János Kender, Robert Morris, “3 Configurations in Anticipation of the Equinox Sunset,” 1971; William Wegman, Pier 18, Instruction Card: Bowling, 1971; Harry Shunk and János Kender, William Wegman, “Bowling,” 1971; Gordon Matta-Clark, Pier 18, Instruction Card: Parked Island Barges on the Hudson, 1971; Harry Shunk and János Kender, Gordon Matta-Clark, “Parked Island Barges on the Hudson,” 1971; Harry Shunk and János Kender, Gordon Matta-Clark, “Parked Island Barges on the Hudson,” 1971; Richard Serra, Pier 18, Instruction Card: untitled, 1971; Harry Shunk and János Kender, Richard Serra, “untitled,” 1971; Harry Shunk and János Kender, Richard Serra, “untitled,” 1971. Photograph by Ron Amstutz
From the exhibition Around Day’s End: Downtown New York, 1970–1986