Recto
Not on view
Date
1944
Classification
Prints
Medium
Soft ground etching, stencil, and embossing
Dimensions
Sheet: 9 3/16 × 11 9/16 in. (23.3 × 29.4 cm)
Plate: 5 15/16 × 8 1/16 in. (15.1 × 20.5 cm)
Accession number
2022.100
Edition
28/30
Credit line
Purchase, with funds from the Drawing and Print Committee
Rights and reproductions
© Estate of Sue Fuller
Exhibitions
Installation photography
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Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right: Sue Fuller, Lancelot and Guinevere, 1944; Perle Fine, Carrousel, c. 1944; Dorothy Dehner, Nocturne, 1954; Norma Morgan, Turning Forms, c. 1950. Photograph by Ron Amstutz
From the exhibition Labyrinth of Forms:
Women and Abstraction, 1930–1950 -
Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right: Sue Fuller, Lancelot and Guinevere, 1944; Perle Fine, Carrousel, c. 1944; Dorothy Dehner, Nocturne, 1954; Norma Morgan, Turning Forms, c. 1950; Teresa D’Amico Fourpome, Braco e Negro, 1945; Barbara Olmsted, Memory of the Dark, c. 1941. Photograph by Ron Amstutz
From the exhibition Labyrinth of Forms:
Women and Abstraction, 1930–1950