Teresa D’Amico Fourpome, Braco e Negro, 1945. Engraving, open-bite etching, aquatint and softground etching, sheet: 10 1/16 × 13 1/8 in. (25.6 × 33.3 cm) Image: 7 13/16 × 10 15/16 in. (19.8 × 27.8 cm). Whitney Museum of American Art, New York; purchase, with funds from the Drawing and Print Committee 2022.103. © Estate of Teresa D'Amico Fourpome
Not on view
Date
1945
Classification
Prints
Medium
Engraving, open-bite etching, aquatint and softground etching
Dimensions
Sheet: 10 1/16 × 13 1/8 in. (25.6 × 33.3 cm)
Image: 7 13/16 × 10 15/16 in. (19.8 × 27.8 cm)
Accession number
2022.103
Credit line
Purchase, with funds from the Drawing and Print Committee
Rights and reproductions
© Estate of Teresa D'Amico Fourpome
Exhibitions
Installation photography
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Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right: Teresa D’Amico Fourpome, Braco e Negro, 1945; Barbara Olmsted, Memory of the Dark, c. 1941. Photograph by Ron Amstutz
From the exhibition Labyrinth of Forms:
Women and Abstraction, 1930–1950 -
Installation view of Labyrinth of Forms: Women and Abstraction, 1930-1950 (Whitney Museum of American Art, New York, October 9, 2021-March 2022). From left to right: Sue Fuller, Lancelot and Guinevere, 1944; Perle Fine, Carrousel, c. 1944; Dorothy Dehner, Nocturne, 1954; Norma Morgan, Turning Forms, c. 1950; Teresa D’Amico Fourpome, Braco e Negro, 1945; Barbara Olmsted, Memory of the Dark, c. 1941. Photograph by Ron Amstutz
From the exhibition Labyrinth of Forms:
Women and Abstraction, 1930–1950