Classification
Prints
Medium
Ink, graphite, and body print on paperboard
Dimensions
Sheet (sight): 39 × 27 5/8in. (99.1 × 70.2 cm)
Accession number
P.2018.264
Credit line
Whitney Museum of American Art, New York; Promised gift of Beth Rudin DeWoody in honor of David Hammons and Day’s End
Rights and reproductions
Image © 2016 Christie’s Images Limited. © David Hammons
Exhibitions
Installation photography
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Installation view of What It Becomes (Whitney Museum of American Art, New York, August 24, 2024-January 12, 2025). From left to right: Naotaka Hiro, Untitled (Whirlwind), 2018; Naotaka Hiro, Untitled (5432112345), 2018; Darrel Ellis, Self-Portrait after photograph by Robert Mapplethorpe, 1989; Jim Hodges, Untitled, 1992; David Hammons, Close Your Eyes and See Black, 1969. Photograph by Ron Amstutz
From the exhibition What It Becomes
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Installation view of What It Becomes (Whitney Museum of American Art, New York, August 24, 2024-January 12, 2025). From left to right: David Hammons, Close Your Eyes and See Black, 1969; Catherine Opie, Self-Portrait/Cutting, 1993. Photograph by Ron Amstutz
From the exhibition What It Becomes
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Installation view of What It Becomes (Whitney Museum of American Art, New York, August 24, 2024-January 12, 2025). From left to right: clockwise from top left: Blythe Bohnen, Self Portrait: Horizontal Motion Bisected by Vertical Motion, 1974; Blythe Bohnen, Pivotal Motion From Chin, Large, 1974; Blythe Bohnen, Pivotal Motion, Small, Vertical Motion, Small, 1983; Blythe Bohnen, Horizontal Motion Large, Bisected by Vertical Motion, Large, 1974; Blythe Bohnen, Horizontal Circular Motion, Small, 1974; Blythe Bohnen, Square Motion, Small, 1974; Rick Bartow, Autobiographical Hawk, 1991; Darrel Ellis, Self-Portrait after photograph by Robert Mapplethorpe, 1989; Jim Hodges, Untitled, 1992; David Hammons, Close Your Eyes and See Black, 1969; Catherine Opie, Self-Portrait/Cutting, 1993; Toyin Ojih Odutola, The Treatment 20, 2015; Wendy Red Star, Déaxitchish / Pretty Eagle, 2014. Photograph by Ron Amstutz
From the exhibition What It Becomes
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Installation view of What It Becomes (Whitney Museum of American Art, New York, August 24, 2024-January 12, 2025). From left to right: clockwise from top left: Blythe Bohnen, Self Portrait: Horizontal Motion Bisected by Vertical Motion, 1974; Blythe Bohnen, Pivotal Motion From Chin, Large, 1974; Blythe Bohnen, Pivotal Motion, Small, Vertical Motion, Small, 1983; Blythe Bohnen, Horizontal Motion Large, Bisected by Vertical Motion, Large, 1974; Blythe Bohnen, Horizontal Circular Motion, Small, 1974; Blythe Bohnen, Square Motion, Small, 1974; Rick Bartow, Autobiographical Hawk, 1991; Maren Hassinger, Daily Mask, 1997-2004; Darrel Ellis, Self-Portrait after photograph by Robert Mapplethorpe, 1989; Jim Hodges, Untitled, 1992; David Hammons, Close Your Eyes and See Black, 1969; Catherine Opie, Self-Portrait/Cutting, 1993; Toyin Ojih Odutola, The Treatment 20, 2015; Wendy Red Star, Déaxitchish / Pretty Eagle, 2014. Photograph by Ron Amstutz
From the exhibition What It Becomes