Classification
Sculpture
Medium
Colored pencil, acrylic, wax crayon and collage on paper
Dimensions
Overall: 19 × 13 × 5 1/2 in. (48.3 × 33 × 14 cm)
Accession number
2018.153
Credit line
Purchase, with funds from Thomas and Elisabeth Judson
Rights and reproductions
© G. Peter Jemison
Exhibitions
Installation photography
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Installation view of Around Day’s End: Downtown New York, 1970–1986 (Whitney Museum of American Art, New York, September 3–November 1, 2020). From left to right: Alvin Baltrop, The Piers (collapsed architecture, couple buttfucking), 1979 (print date unknown); Alvin Baltrop, Marsha P. Johnson, n.d. (1975-86, print date unknown); Alvin Baltrop, Untitled, 1977 (print date unknown); Jimmy Wright, Anvil #1, 1975; G. Peter Jemison, Liberty for Sale, 1986; David Wojnarowicz and Kiki Smith, Untitled (Psychiatric Clinic: Department of Hospitals), 1983. Photograph by Ron Amstutz
From the exhibition Around Day’s End: Downtown New York, 1970–1986
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Installation view of Around Day’s End: Downtown New York, 1970–1986 (Whitney Museum of American Art, New York, September 3–November 1, 2020). From left to right: Gordon Matta-Clark, Day’s End, 1975; Gordon Matta-Clark, Days End Pier 52.1 (Documentation of the action "Day's End" made in 1975 in New York, United States), 1975, printed 1977; Gordon Matta-Clark, Untitled, c. 1975; Gordon Matta-Clark, Days End Pier 52.2 (Documentation of the action "Day's End" made in 1975 in New York, United States), 1975, printed 1977; Gordon Matta-Clark, Days End Pier 52.3 (Documentation of the action "Day's End" made in 1975 in New York, United States), 1975, printed 1977; Christo, Package on Hand Truck, 1973; Jimmy Wright, Anvil #1, 1975; G. Peter Jemison, Liberty for Sale, 1986; David Wojnarowicz and Kiki Smith, Untitled (Psychiatric Clinic: Department of Hospitals), 1983; Martha Rosler, The Bowery in two inadequate descriptive systems, 1974/1975. Photograph by Ron Amstutz
From the exhibition Around Day’s End: Downtown New York, 1970–1986