Classification
Drawings
Medium
Gold leaf and wax on paper
Dimensions
Sheet (sight): 11 1/16 × 14 7/8 in. (28.1 × 37.8 cm)
Image (sight): 11 1/16 × 14 7/8 in. (28.1 × 37.8 cm)
Accession number
2018.144
Credit line
Purchase, with funds from Sheree and Jerry Friedman
Rights and reproductions
© Ronny Quevedo
Exhibitions
Installation photography
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Installation view of Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art (Whitney Museum of American Art, New York, July 13–September 30, 2018). Clockwise, from top left: Ronny Quevedo, Cabeza Magica, 2012; Ronny Quevedo, quipu, 2017; Ronny Quevedo, every measure of zero (wari textile), 2017; Ronny Quevedo, every measure of zero (up is down), 2017; Ronny Quevedo, oro blanco, 2017; Ronny Quevedo, Notes on the poetics of relation #2, 2015; Clarissa Tossin, Yaxchilán Lintel 25 (feathered serpent), 2017; Ronny Quevedo, The Main Event (Nomadic Structures), 2016; Ronny Quevedo, origin points of lyra (5-3-2-1), 2017; Ronny Quevedo, Errant Globe, 2015. Installed on floor: Ronny Quevedo, Orders of Magnitude (desde Qoricancha), 2018. Photograph by Ron Amstutz
From the exhibition Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art
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Installation view of Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art (Whitney Museum of American Art, New York, July 13–September 30, 2018). From left to right: Ronny Quevedo, Cabeza Magica, 2012; Ronny Quevedo, quipu, 2017; Ronny Quevedo, every measure of zero (wari textile), 2017; Ronny Quevedo, every measure of zero (up is down), 2017; Ronny Quevedo, oro blanco, 2017; Ronny Quevedo, Notes on the poetics of relation #2, 2015; Ronny Quevedo, Ulama, Ule, Olé, 2012; Ronny Quevedo, Errant Globe, 2015. Photograph by Ron Amstutz
From the exhibition Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art
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Installation view of Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art (Whitney Museum of American Art, New York, July 13–September 30, 2018). From left to right: Ronny Quevedo, quipu, 2017; Ronny Quevedo, every measure of zero (wari textile), 2017; Ronny Quevedo, every measure of zero (up is down), 2017; Ronny Quevedo, oro blanco, 2017; Ronny Quevedo, Notes on the poetics of relation #2, 2015. Photograph by Ron Amstutz
From the exhibition Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art
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Installation view of Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art (Whitney Museum of American Art, New York, July 13–September 30, 2018). From left to right: Ronny Quevedo, Ulama, Ule, Olé, 2012; Ronny Quevedo, Errant Globe, 2015; Ronny Quevedo, ULAMA-ULE-ALLEY OOP, 2017; Ronny Quevedo, Field of Play, 2016; Ronny Quevedo, Cabeza Magica, 2012; Ronny Quevedo, quipu, 2017; Ronny Quevedo, every measure of zero (wari textile), 2017; Ronny Quevedo, every measure of zero (up is down), 2017; Ronny Quevedo, oro blanco, 2017. Photograph by Ron Amstutz
From the exhibition Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art