Carolina Caycedo, Rio Ribeira, 2016. Hand-dyed artisanal fishing net, lead weights, nylon fishing nets with foam floaters, sandals, synthetic-fiber pants, moss, string, and bottle with oil, overall: 88 1/2 × 31 3/4 × 25 3/4 in. (224.8 × 80.6 × 65.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2018.215. © Carolina Caycedo
Not on view
Date
2016
Classification
Sculpture
Medium
Hand-dyed artisanal fishing net, lead weights, nylon fishing nets with foam floaters, sandals, synthetic-fiber pants, moss, string, and bottle with oil
Dimensions
Overall: 88 1/2 × 31 3/4 × 25 3/4 in. (224.8 × 80.6 × 65.4 cm)
Accession number
2018.215
Series
Cosmotarraya
Credit line
Purchase, with funds from the Painting and Sculpture Committee
Rights and reproductions
© Carolina Caycedo
Exhibitions
Installation photography
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 25, 2026). Front: Maya Lin, Ghost Forest Baseline Y, 2022. Back, from left to right: Carolina Caycedo, Rio Ribeira, 2016; Carolina Caycedo, The Binding/El amarre, 2017; Kunié Sugiura, Tree Trunk 1, 1971. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Nancy Holt, Locator (Studio Corner), 1971; Gordon Matta-Clark, Tree Dance, 1971; Jenny Calivas, Self-Portrait While Buried #16, 2021, printed 2023; Jenny Calivas, Self-Portrait While Buried #1, 2019, printed 2023; Laura Aguilar, Three Eagles Flying, 1990; Amalia Mesa-Bains, Cihuateotl with Hand Mirror from Venus Envy Chapter III: Cihuatlampa, the Place of the Giant Women, 1997-2022; Michael Joo, Salt Transfer Cycle, 1994; Maya Lin, Ghost Forest Baseline Y, 2022; Troy Michie, Yo Soy Un Puente Tendido / This Is My Home, 2019; Carolina Caycedo, Rio Ribeira, 2016; Carolina Caycedo, The Binding/El amarre, 2017. Photograph by Ron Amstutz
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Maya Lin, Ghost Forest Baseline Y, 2022; Carolina Caycedo, Rio Ribeira, 2016; Carolina Caycedo, The Binding/El amarre, 2017; Kunié Sugiura, Tree Trunk 1, 1971; Sonya Kelliher-Combs, Polar Bear Curl, 2017. Photograph by Ron Amstutz