Installation view of Around Day’s End: Downtown New York, 1970–1986 (Whitney Museum of American Art, New York, September 3–November 1, 2020). From left to right: David Hammons, Delta Spirit, 1985; Vitrine, clockwise: Avalanche, Fall 1971; Carol Goodden, Documentation of Gordon Matta-Clark’s Jacks, 1971; Carol Goodden, Documentation of Gordon Matta-Clark’s Jacks, 1971; Carol Goodden, Documentation of Gordon Matta-Clark’s Jacks, 1971; Carol Goodden, Documentation of Gordon Matta-Clark’s Jacks, 1971; Carol Goodden, Documentation of Gordon Matta-Clark’s Jacks, 1971; Peter Hujar, Canal Street Piers: Fake Men on the Stairs, 1983; David Wojnarowicz, Arthur Rimbaud in New York, 1978 (printed 1990); Alvin Baltrop, The Piers (collapsed architecture, couple buttfucking), 1979 (print date unknown); Alvin Baltrop, Marsha P. Johnson, n.d. (1975–86, print date unknown); Alvin Baltrop, Untitled, 1978 (print date unknown); Jimmy Wright, Anvil #1, 1975. Photograph by Ron Amstutz