Virginia Overton

Untitled
2017

A black and white etching of an abstract composition resembling shelves or boxes, with visible sketch lines and cross-hatching, signed and dated by the artist in the lower right corner.
A black and white etching of an abstract composition resembling shelves or boxes, with visible sketch lines and cross-hatching, signed and dated by the artist in the lower right corner.

Not on view

Date
2017

Classification
Prints

Medium
Soft ground etching

Dimensions
Sheet: 22 1/4 × 17in. (56.5 × 43.2 cm) Plate: 15 5/8 × 11 3/4in. (39.7 × 29.8 cm)

Accession number
2018.83.5

Edition
11/12 | 3 APs

Publication
Printed by Niels Borch Jensen Editions; published by BORCH Editions ApS

Credit line
Whitney Museum of American Art, New York; purchase, with funds from the Print Committee

Rights and reproductions
© Virginia Overton

API
artworks/57858

Part of a series:

9 works

A black and white abstract print featuring two tall, rectangular shapes with a stark contrast between the black figures and the white background. The left shape has three white rectangles within it, and the right shape has a white square cut out from its upper section. There is a signature and a date in the lower right corner, and a fraction in the lower left corner indicating the print number in a series.
A monochromatic artwork featuring two abstract images on a white background. The upper image is a horizontal, textured smudge with shades of gray, while the lower image shows a minimalistic, horizontal line across a textured field. Both images are framed within their own borders and the piece is numbered and signed at the bottom.
Black and white abstract artwork featuring a central pendulum-like figure with a circular element on the left and a more complex, frayed element on the right, all against a speckled background. The image is framed with a wide white border, which includes the artist's signature and edition number on the bottom right and left corners, respectively.
A black and white abstract print featuring a central cluster of dark, irregular shapes surrounded by a multitude of fine, scratch-like lines on a white background. The print has a rough, pentagonal shape and is signed and dated in the lower right corner.
A black and white abstract print featuring intersecting lines and shapes that create a dynamic composition. The print has a textured appearance with various marks and scratches throughout, suggesting a printmaking process. There is a signature and date in the lower right corner and an edition number in the lower left corner, indicating it is part of a limited series. The paper has a raw, untrimmed edge, adding to the artwork's handmade quality.
A black and white etching of an abstract composition resembling shelves or boxes, with visible sketch lines and cross-hatching, signed and dated by the artist in the lower right corner.
A black and white abstract print featuring contrasting textures and geometric shapes. On the left, a detailed wood grain pattern, and on the right, a series of outlined shapes resembling architectural forms on a textured background. The artwork is signed and numbered in pencil on the bottom edge.
A black and white abstract etching with textured patterns and marks on a square piece of paper, signed and dated by the artist in the lower right corner, with an edition number in the lower left corner. The artwork is mounted on a white background.
A black and white abstract etching featuring geometric shapes and textured surfaces, with a dark horizontal band at the bottom and a series of vertical lines on the right side, signed and dated by the artist in the lower right corner.

Virginia Overton
12 works in the collection

View artist

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.