Classification
Photographs
Medium
Gelatin silver print
Dimensions
Sheet: 4 5/16 × 6 in. (11 × 15.2 cm)
Accession number
2025.250
Credit line
Gift of Jack Shear
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
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Installation view of The Whitney’s Collection: Selections from 1900 to 1965 (Whitney Museum of American Art, New York, June 28, 2019- May, 2022). From left to right: Jared French, The Rope, 1954; Jared French, Study for Murder, 1942; Jared French, Untitled, c. 1940-1950; Paul Cadmus, Two Boys on a Beach, 1938; Jared French, Study for The Double, c. 1950-1962; Margaret French, The Moon by Day, 1939; PaJaMa, Margaret French, George Tooker and Jared French, Nantucket, c. 1946; Jared French, Untitled, c. 1946; PaJaMa, Jared French and Margaret French, Nantucket, 1946; Paul Cadmus, José Martinez, 1937; Jared French, Untitled, c. 1949; PaJaMa, Glenway Wescott, Fire Island, c. 1940. Photograph by Ron Amstutz
From the exhibition The Whitney’s Collection: Selections from 1900 to 1965
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Installation view of The Whitney’s Collection: Selections from 1900 to 1965 (Whitney Museum of American Art, New York, June 28, 2019- May, 2022). From left to right: Jared French, Untitled, c. 1946; PaJaMa, Jared French and Margaret French, Nantucket, 1946; Paul Cadmus, José Martinez, 1937; Jared French, Untitled, c. 1949; PaJaMa, Glenway Wescott, Fire Island, c. 1940, Jared French, Study for The Double, Terror and Man, 1940; Jared French, Sleep #1, c.1936; Paul Cadmus, The Bath, 1951; PaJaMa, Margaret French and Paul Cadmus, Provincetown, c. 1947; Jared French, Untitled, 1961; Jared French, Study for Strange Man, 1943; George Platt Lynes, George Tooker at 5 St. Luke’s Place with Paul Cadmus and Jared French in Mirror, c. 1940; Jared French, Study for Face to Face, c. 1949. Photograph by Ron Amstutz
From the exhibition The Whitney’s Collection: Selections from 1900 to 1965