Classification
Prints
Medium
Screenprint
Dimensions
Sheet: 41 15/16 × 41 15/16 in. (106.5 × 106.5 cm)
Image: 41 15/16 × 41 15/16 in. (106.5 × 106.5 cm)
Accession number
78.98
Edition
140/250
Publication
Printed by Jeff Wasserman; published by Gemini G.E.L.
Credit line
Gift of Fred Mueller
Rights and reproductions
© The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York
Installation photography
-
Installation view of Andy Warhol – From A to B and Back Again (Whitney Museum of American Art, New York, November 12, 2018–March 31, 2019). From left to right: Factory Diary: Andy Paints Mao, 1972; Vote McGovern, 1972; Mao (Edition 4/300), 1973; Mao (Edition 27/300), 1973; Mao (Edition 32/300), 1973; Mao (Edition 39/300), 1973; Mao (Edition 103/300), 1973; Mao (Edition 204/300), 1973; Mao (Edition 242/300), 1973; Mao (Edition 261/300), 1973; Mao, 1973; Factory Diary: Andy Warhol, Geri Miller, Candy Darling at the Factory, c. 1971–72; Michael Kostiuk, Andy Warhol vacuuming the carpet for an installation piece at Finch College Museum of Art, c. 1972; White Painting [Torso], 1966; Ronald Nameth, Andy Warhol’s Exploding Plastic Inevitable, 1966. Photograph by Ron Amstutz. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York
From the exhibition Andy Warhol—
From A to B and
Back Again -
Installation view of Andy Warhol – From A to B and Back Again (Whitney Museum of American Art, New York, November 12, 2018–March 31, 2019). From left to right: Mylar and Plexiglas Construction, c. 1970; Mao, 1972; Willard Mass, Andy Warhol’s Silver Flotations, 1966; Vote McGovern, 1972; Mao, 1973; White Painting [Torso], 1966. Photograph by Ron Amstutz. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York
From the exhibition Andy Warhol—
From A to B and
Back Again -
Installation view of Andy Warhol – From A to B and Back Again (Whitney Museum of American Art, New York, November 12, 2018–March 31, 2019). From left to right: Mylar and Plexiglas Construction, c. 1970; Mao, 1972; Willard Mass, Andy Warhol’s Silver Flotations, 1966; Vote McGovern, 1972; Mao, 1973; White Painting [Torso], 1966. Photograph by Ron Amstutz. © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York
From the exhibition Andy Warhol—
From A to B and
Back Again