Recto
Not on view
Date
1972
Classification
Sculpture
Medium
Acrylic, thread, beads on canvas
Dimensions
Overall: 107 × 252 7/8 × 2 3/4 in. (271.8 × 642.3 × 7 cm)
Accession number
2017.165a-l
Credit line
Gift of Paula Cooper
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Charles LeDray, Milk and Honey, 1994–96; Elaine Reichek, Silver & Gold, 1976; Alan Shields, J + K, 1972; Pepón Osorio; Angel: The Shoe Shiner, 1993; Arch Connelly, Leaf, 1982; Arch Connelly, Personal Explosion, 1984. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Betty Woodman, Joined Vases, 1972; Elaine Reichek, Silver & Gold, 1976; Howardena Pindell, Untitled, 1974–75; Alan Shields, J + K, 1972. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Robyn Brentano and Andrew Horn, Cloud Dance, 1979; Lenore G. Tawney, Four Petaled Flower II, 1974; Claes Oldenburg, Giant BLT (Bacon, Lettuce, and Tomato Sandwich), 1963; Yayoi Kusama, Accumulation, c. 1963; Howardena Pindell, Untitled, 1974–75; Alan Shields, J + K, 1972. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019
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Installation view of Making Knowing: Craft in Art, 1950–2019 (Whitney Museum of American Art, New York, November 22, 2019–January 2021). From left to right: Howardena Pindell, Untitled, 1974–75; Alan Shields, J + K, 1972. Photograph by Ron Amstutz
From the exhibition Making Knowing: Craft in Art, 1950–2019