Bengt af Klintberg

Wrapping Paper for Orange Tennis Balls
1992

A black and white drawing featuring a stylized representation of a tennis ball with the words "TENNIS BALL" across the center. Radiating from the ball are lines creating a sunburst effect with the word "RED" written in each section. Above the image, text reads "Wrapping Paper for Orange Tennis's Balls (1992)." The bottom of the image includes a signature and a fraction indicating it's a print, "11/99."
A black and white drawing featuring a stylized representation of a tennis ball with the words "TENNIS BALL" across the center. Radiating from the ball are lines creating a sunburst effect with the word "RED" written in each section. Above the image, text reads "Wrapping Paper for Orange Tennis's Balls (1992)." The bottom of the image includes a signature and a fraction indicating it's a print, "11/99."

Not on view

Date
1992

Classification
Prints

Medium
Photolithograph

Dimensions
Sheet: 12 × 8 1/2in. (30.5 × 21.6 cm) Image: 7 1/2 × 6 3/4in. (19.1 × 17.1 cm)

Accession number
2008.37.13

Edition
11/99 | I-X APs, I-II PPs, 1 BAT, I-II Shop proofs, I-X Anthology proofs

Publication
Printed and published by Mark Patsfall Graphics; published by Nam June Paik

Credit line
Whitney Museum of American Art, New York; purchase, with funds from Beth Rudin DeWoody

Rights and reproductions
© Nam June Paik Estate

API
artworks/33162

Part of a series:

Fluxfax Portfolio

37 works

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A scanned image of a New York City Taxi and Limousine Commission Vehicle Operator's License with an expiration date of December 1995. The license displays the name Jeffrey Perkins, along with a license number and a photo of a man. Handwritten notes are visible on the white border around the license, including a signature and a date marked as 11/6/99.
Hand-drawn conceptual artwork featuring a schematic representation of alarm bells and sirens connected to a central box, with handwritten text below posing a question about the inability to hear sound from the fax and an answer stating the sound is in the viewer's head. The piece is titled "A Symphony by Alarm bells & Acoustic Sirens for Fluxfax" by Yoshi Wada, dated 1994, and is numbered 11/99 with the artist's signature.
A black and white photograph depicting three individuals engaged in conversation. The image is blurry, giving it a candid and spontaneous feel. Handwritten annotations identify the individuals and provide context for the event, indicating it was taken during Ben Vautier's opening night at the Guggenheim Museum in 1972. The photo also includes a handwritten edition number and signature at the bottom.
A black and white abstract expressionist print featuring a dense, tangled array of black lines and shapes on a white background. The composition is reminiscent of a chaotic scribble or a nest-like structure. There is a signature at the bottom right corner and a numbering at the bottom left corner indicating its edition.
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A black and white illustration featuring three rows of simple, cartoonish figures with letters on their bodies. The figures are drawn with minimal detail, resembling rounded humanoids without distinct facial features. The letters on the figures appear to spell out "INFLUX FLUX FEELS" across the three rows. The image has a signature at the bottom right and is numbered 11/59 at the bottom left.
Black and white artwork with a curved white line and illegible text on a black background, signed at the bottom right.
Black and white print featuring urban signage with "Kansas" and "fax it" text, and a man pouring liquid, with artist's signature and date.

Bengt af Klintberg
1 work in the collection

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