Exhibitions
Installation photography
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Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). From left to right: Freddy Rodriguez, Y me quedé sin nombre, 1964; Lynda Benglis, Contraband, 1969; Alma Thomas, Mars Dust, 1972; Edna Andrade, Cool Wave, 1974. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985
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Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). From left to right: Alma Thomas, Mars Dust, 1972; Edna Andrade, Cool Wave, 1974; David Novros, No Title, 1969; Alvin Loving, Rational Irrationalism, 1969; Lynda Benglis, Contraband, 1969. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985
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Installation view of In the Balance: Painting and Sculpture, 1965-1985 (Whitney Museum of American Art, New York, October 19, 2022 – March 5, 2023). From left to right: Alma Thomas, Mars Dust, 1972; Edna Andrade, Cool Wave, 1974; David Novros, No Title, 1969; Lynda Benglis, Contraband, 1969. Photograph by Ron Amstutz
From the exhibition In the Balance: Between Painting and Sculpture, 1965–1985