Not on view
Date
1973
Classification
Film
Medium
16mm film, black-and-white, sound, 18 min., transferred to video
Accession number
2000.156
Credit line
Whitney Museum of American Art, New York; purchase, with funds from the Film and Video Committee
Rights and reproductions
© Joan Jonas. Courtesy Electronic Arts Intermix (EAI), New York
Exhibitions
Installation photography
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Installation view of Around Day’s End: Downtown New York, 1970–1986 (Whitney Museum of American Art, New York, September 3–November 1, 2020). From left to right: Martha Rosler, The Bowery in two inadequate descriptive systems, 1974/1975; Joan Jonas, Songdelay, 1973. Photograph by Ron Amstutz
From the exhibition Around Day’s End: Downtown New York, 1970–1986
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Installation view of Around Day’s End: Downtown New York, 1970-1986 (Whitney Museum of American Art, New York, September 3–November 1, 2020). From left to right: Joan Jonas, Songdelay, 1973; Dawoud Bey, David Hammons, Pissed Off, 1981 (printed 2019). Photograph by Ron Amstutz
From the exhibition Around Day’s End: Downtown New York, 1970–1986
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Installation view of Around Day’s End: Downtown New York, 1970–1986 (Whitney Museum of American Art, New York, September 3–November 1, 2020). From left to right: Gordon Matta-Clark, Day’s End, 1975; Gordon Matta-Clark, Days End Pier 52.1 (Documentation of the action "Day's End" made in 1975 in New York, United States), 1975, printed 1977; Gordon Matta-Clark, Untitled, c. 1975; Gordon Matta-Clark, Days End Pier 52.2 (Documentation of the action "Day's End" made in 1975 in New York, United States), 1975, printed 1977; Gordon Matta-Clark, Days End Pier 52.3 (Documentation of the action "Day's End" made in 1975 in New York, United States), 1975, printed 1977; Christo, Package on Hand Truck, 1973; Joan Jonas, Songdelay, 1973. Photograph by Ron Amstutz
From the exhibition Around Day’s End: Downtown New York, 1970–1986