American Abstract Artists

A black and white artwork featuring a heart-shaped arrangement of hexagons on a white background, with the artist's signature and the date '10/97' in the lower right corner and an edition number '5/100' in the lower left corner.

Alice Adams
Screen
1997

A black and white abstract print featuring bold, interlocking shapes and forms. The composition is centered on the paper with a signature in the bottom left corner and a name in the bottom right corner. The print is numbered out of a series, as indicated in the center beneath the image.

Will Barnet
Duluth
1997

A monochromatic artwork featuring an abstract pattern of jagged, overlapping lines and shapes that resemble shards of glass or ice, with varying tones of black and gray creating depth and texture.

Power Boothe
Gait
1997

Abstract black and white etching with explosive, radiating lines emanating from a dense center.

Naomi Boretz
Trifolium
1997

A graphic print titled "The Well House" by Marvin Brown from 1992, numbered 5/100. The artwork features a large, leaf-shaped figure with a textured pattern, set against a dark brown background with horizontal bands. The leaf shape is bisected by a diagonal line, creating a sense of asymmetry. The bottom left corner includes a ruler-like scale, adding a technical element to the composition.

Marvin Brown
The Well House
1997

Abstract artwork featuring geometric shapes and splattered ink patterns on a white background. Diagonal lines intersect across the piece, with a prominent black triangle and smaller peach-colored triangle at the center. Random ink blots and smudges add a dynamic and spontaneous feel to the composition. The artwork is signed and dated at the bottom right.

Kenneth Wayne Bushnell
E.D.C. Untitled
1997

A print featuring abstract black and yellow brush strokes on a white background, with the title "Up-Down" and the artist's signature dated '92/'97 in the lower right corner. The print is numbered 5/100 in the lower left corner.

Jean Cohen
Up-Down
1997

A graphic print featuring a diamond shape composed of four smaller diamonds, two of which are filled with a yellow color and two with a gray color, all outlined in black, against a white background. The print is numbered 5/100 and titled "Stopspeed XXX," signed by the artist "Rube Goldberg '97" in the bottom margin.

Ruth Eckstein
Slospeed XXX
1997

A black and white abstract print featuring a square border with intricate patterns resembling a patchwork or textile design. The center of the image is a blank white square. Below the square, there is handwritten text that reads "5/100 HERALDIC TINCTURES" and a signature with the date '97. The paper has rough edges, indicating it may be a fine art print.

Gabriele Evertz
Heraldic Tinctures
1997

Abstract art print featuring geometric shapes in black and blue with accents of yellow and red, on a white background with visible brush strokes and artist's signature at the bottom.

Helen Odell Gilbert
Untitled
1997

$A black and white abstract artwork featuring a central vertical split with a dense cluster of black dots on the left side that fades as it moves towards the center. The right side is mostly blank with a thin, irregular black border. The bottom left corner has a fraction number indicating a limited edition, and the bottom right corner contains a signature and the year '97.$

John Goodyear
This Page
1997

A black and white abstract print featuring geometric shapes and lines that resemble an architectural form or mechanical parts. The composition is centered on the page with a few isolated elements scattered around. The print is numbered 5/100 and signed by the artist, dated '97, in the lower margin.

James Gross
Forms in Space
1997

A black and white abstract print featuring two large overlapping circles at the top with vertical black stripes of varying widths below them. The background is white, and there is handwritten text and numbering at the bottom, indicating it's a limited edition piece.

Paul Heald
Multilift
1997

A print featuring an abstract composition with geometric and organic shapes in black, white, and hints of color. The artwork includes textured areas that resemble marble, with overlaid linear elements and shapes suggesting depth and movement. The piece is numbered and signed by the artist in pencil at the bottom.

Clinton Hill
Across
1997

A black and white abstract print featuring a series of diamond shapes arranged in two rows, with each diamond containing geometric patterns in black ink. The print is numbered and signed by the artist, with the title "transverse" and the year '97 written in the lower margin.

Ward Jackson
Transverse
1997

A framed geometric artwork featuring a three-dimensional box with intersecting colored lines in the center, surrounded by a double-lined border. The piece is numbered and signed by the artist in the lower margin.

James Joseph Juszczyk
Prime Inclusion
1997

Abstract artwork featuring vertical black streaks and blotches over a textured green background, resembling a stylized interpretation of a forest or rain streaks on a window.

Martha Keller
R. Slippy
1997

A black and white abstract print featuring a dense, interconnected network of irregular black shapes on a white background. The composition is reminiscent of a maze or a cellular structure. There are signatures and numbers on the bottom indicating the artist's name and the print edition.

Ibram Lassaw
Maze
1997

A limited edition print numbered 5/100, featuring a grid of interlocking shapes with varying shades of blue, signed by the artists Ketti-Kathen and Jane Eigemann, dated 1991.

Jane Marie Logemann
Letter-Hebrew-1997
1997

$A black and white abstract print featuring a grid with chaotic, textured patterns and intersecting lines, possibly a numbered artwork given the fraction 5/100 and a signature at the bottom.$

Vincent Longo
Untitled
1997

A black and white abstract print featuring geometric shapes with shaded gradients creating an illusion of three-dimensional form. The artwork is signed and dated at the bottom.

Katinka Mann
Untitled
1997

Abstract artwork featuring layered brushstrokes in black, orange, and beige tones on a textured paper background. The composition has an organic, flowing quality with some areas where the colors bleed into each other, creating a dynamic and visually rich texture.

Nancy Manter
Transmission
1997

$A series of eight geometric line drawings of abstract shapes on a white background, resembling unfolded three-dimensional forms, with the artist's name and the year 1997 inscribed at the bottom right, and a fraction indicating the print number at the bottom left.$

Clement L. Meadmore
Two Identical Units Joined Eight Ways
1997