Katherine Hubbard

A dark empty room with a low ceiling of exposed, wooden beams and an uneven dirt floor full or slopes. A washer and dryer sit in the corner of the frame.

Katherine Hubbard
blue stone bed rock
2019

A black and white photograph of a person's bare feet displayed in a wooden frame with a stand, set against a neutral gray background.

Katherine Hubbard
sculling
2019

A minimalist artwork featuring a wooden frame with the top half empty and the bottom half containing a blackboard with a single silver crowbar lying diagonally across it. The background wall is white, providing a stark contrast to the blackboard.

Katherine Hubbard
still life spoon
2019

A high-contrast black and white image showing a textured surface with vertical streaks and scratches, surrounded by a wide white border.

Katherine Hubbard
Bend the rays more sharply (Photographic print made from a negative embedded in ice at increments of ten degrees between zero and ninety.) No. 9 of 10
2016

A blank polaroid photo with a white border and a central image area that appears overexposed or undeveloped, resulting in a mostly white space with some minor blemishes and specks.

Katherine Hubbard
Bend the rays more sharply (Photographic print made from a negative embedded in ice at increments of ten degrees between zero and ninety.) No. 10 of 10
2016

A black and white abstract drawing featuring dynamic, textured strokes that resemble natural forms or landscapes, mounted on a white background with a wide border.

Katherine Hubbard
Bend the rays more sharply (Photographic print made from a negative embedded in ice at increments of ten degrees between zero and ninety.) No. 1 of 10
2016

A monochromatic abstract artwork featuring various shades of black, white, and gray, with dynamic strokes and splatters that suggest movement. The piece is mounted on a white background with a wide border, emphasizing its contrast and composition.

Katherine Hubbard
Bend the rays more sharply (Photographic print made from a negative embedded in ice at increments of ten degrees between zero and ninety.) No. 2 of 10
2016

A black and white abstract image featuring a central pattern that resembles crystalline or feather-like structures, surrounded by a large white border.

Katherine Hubbard
Bend the rays more sharply (Photographic print made from a negative embedded in ice at increments of ten degrees between zero and ninety.) No. 3 of 10
2016

A black and white abstract photograph featuring textured patterns that resemble feathers or foliage, mounted on a white background with a wide border.

Katherine Hubbard
Bend the rays more sharply (Photographic print made from a negative embedded in ice at increments of ten degrees between zero and ninety.) No. 4 of 10
2016

A monochromatic abstract image with textured patterns resembling ice or mineral formations, framed with a wide white border.

Katherine Hubbard
Bend the rays more sharply (Photographic print made from a negative embedded in ice at increments of ten degrees between zero and ninety.) No. 5 of 10
2016

A monochromatic abstract artwork with various shades of gray, featuring fluid and dynamic marks that suggest movement, framed by a wide white border.

Katherine Hubbard
Bend the rays more sharply (Photographic print made from a negative embedded in ice at increments of ten degrees between zero and ninety.) No. 6 of 10
2016

A monochromatic artwork featuring abstract black smudges and feather-like textures on a white background, presented within a larger white border.

Katherine Hubbard
Bend the rays more sharply (Photographic print made from a negative embedded in ice at increments of ten degrees between zero and ninety.) No. 7 of 10
2016

A high-key, abstract photograph showing a close-up texture that appears to be a part of an animal, possibly fur or feathers, with a soft focus and overexposed elements, framed with a wide white border.

Katherine Hubbard
Bend the rays more sharply (Photographic print made from a negative embedded in ice at increments of ten degrees between zero and ninety.) No. 8 of 10
2016

A series of five black and white panoramic photographs displayed in a horizontal row, each showing a slightly different angle of a hilly landscape with sparse vegetation under a bright sky, all set against a black background.

Katherine Hubbard
Four shoulders (how things stack up)
2014

Katherine Hubbard
1981–

Filters

Exhibitions

On the Hour

Katherine Hubbard 1981–

Exhibitions

Katherine Hubbard
1981–