Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art investigates contemporary art practices that preserve and foreground Indigenous American notions of the built environment and natural world. The three words in the exhibition’s title are Quechua, the Indigenous language most spoken in the Americas. Each holds more than one meaning: pacha denotes universe, time, space, nature, or world; llaqta signifies place, country, community, or town; and wasichay means to build or to construct a house. Influenced by the richness of these concepts, the artworks explore the conceptual frameworks inherited from, and also still alive in, Indigenous groups in Mexico and South America that include the Quechua, Aymara, Maya, Aztec, and Taíno, among others.
The show features the work of seven emerging Latinx artists based in the United States and Puerto Rico: william cordova, Livia Corona Benjamin, Jorge González, Guadalupe Maravilla, Claudia Peña Salinas, Ronny Quevedo, and Clarissa Tossin. Their works investigate the complex relationship that indigenous and vernacular notions of construction, land, space, and cosmology have had in the history of modern and contemporary art and architecture in the Americas.
This exhibition is organized by Marcela Guerrero, assistant curator, with Alana Hernandez, curatorial project assistant.
Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art is part of the Whitney’s emerging artists program, sponsored by
Significant support for this exhibition is also provided by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and by the Whitney’s National Committee.
Additional support is provided by AMEXCID with the Mexican Cultural Institute of New York, the Garcia Family Foundation, and an anonymous donor.
Curatorial research and travel were funded by the Steven & Alexandra Cohen Foundation.