Ursula Endlicher: Light and Dark Networks
Dec 15, 2011–Mar 5, 2013
Ursula Endlicher: Light and Dark Networks
Light and Dark Networks consists of two daily online “data performances” inspired by natural networks and affected by the weather and environment. At sunrise visitors encounter depictions of a spider’s web and at sunset a mushroom’s mycelium, a network of hidden branching filaments that absorb nutrients in order for mushrooms to grow. Virtual creatures—a spider and mushrooms impersonated by the artist—enact “data dances” according to changes in their habitat, which is defined by the weather and carbon dioxide (CO2) levels in New York at that moment. The spider web drifts to different locations on the Museum’s website according to wind direction and speed, and the number of mosquitoes buzzing around the web is determined by the CO2 levels in the atmosphere. Stretched across whitney.org, the mycelium changes size based on temperature and “grows” more mushroom videos in response to humidity, while the scale of the mushroom caps and the number of spores are driven by CO2 levels. Endlicher’s project explores natural and technological networks as living organisms. Investigating the networked nature of both data and the physical environment, as well as their deeper structures, the work playfully examines how both our physical and virtual existence are embedded in networks.
Ursula Endlicher (b. 1965; Vienna, Austria) is an interdisciplinary artist working with interactive media and the internet since the early 1990s. She investigates structural components and interfaces of digital and “natural” networks and creates works in contrasting formats, including net art, augmented reality, artificial intelligence/machine learning, installation, performance, environmental works, and dinners. In her works, humans, machines, and nature are inspired by each other’s behaviors and create new forms and “worlds” between them.
Her work has been shown at Chronus Art Center, Shanghai; / HEK (House of Electronic Arts), Basel, Switzerland; Transmediale, Berlin; [ACM] SIGGRAPH, Yokohama, Japan; ZERO1 Biennial (2012); in New York at Eyebeam and Harvestworks; on Turbulence.org (1996–2016); and in galleries in the United States and Europe. It has been reviewed in publications such as EIKON, the Brooklyn Rail, and Leonardo. She received the 2024 Austrian Art Award for Media Art by BMKOES, Vienna.
Sunrise/Sunset
Sunrise/Sunset was a series of internet art projects that marked sunset and sunrise in New York City every day from 2009 to 2024. All were commissioned by the Whitney specifically for whitney.org, each project unfolding over a time frame of ten to thirty seconds. Indicating the switch from day to night and vice versa in one specific location, Sunrise/Sunset projects played with the perception of time and space, underscoring the physical location of the Whitney and the global accessibility of virtual environments.
artport
View more on artport, the Whitney Museum's portal to internet art and its online gallery space for commissions of net art.