Jimmie Durham: At the Center of the World
Nov 3, 2017–Jan 28, 2018
Exhibition works
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Jimmie Durham (b. 1940), Self-portrait, 1986. Canvas, cedar, acrylic paint, metal, synthetic hair, scrap fur, dyed chicken feathers, human rib bones, sheep bones, seashell, thread. 78 × 30 × 9 in. (198.1 × 76.2 × 22.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Contemporary Painting and Sculpture Committee. Digital image ©Whitney Museum, N.Y.
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Jimmie Durham (b. 1940), Malinche, 1988–1992. Guava, pine branches, oak, snakeskin, , polyester bra soaked in acrylic resin and painted gold, watercolor, cactus leaf, canvas, cotton cloth, metal, rope, feathers, plastic jewelry, glass eye. 70 × 23 ⅝ × 35 in. (177 × 60 × 89 cm). Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, Belgium. Image ©S.M.A.K. / Dirk Pauwels
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Jimmie Durham (b. 1940), Something…Perhaps a Fugue or an Elegy, 2005. Cameras, television, VHS player, amplifier, tripod, steel pipes, hardware, PVC pipes, plastic, rope, acrylic paint, pine, seashell, brass heads, cast marble-dust head, oak box, glass bottle, wood furniture parts, tree branches, tire, mirrors, metal lock, metal chains, lights, wires, plywood pallets, armadillo shell, cow skull and bones, ink on paper. 71 × 275 ½ x 63 in. (180 × 700 × 160 cm). Fondazione Morra Greco, Naples, Italy. Image courtesy of kurimanzutto, Mexico City
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Jimmie Durham (b. 1940), Various Elements from the Actual World, 2009. Acrylic and oil paint, Formica, gold leaf, wool mittens, leather glove, various stones, paper, Egyptian wedding canopy, buttons made of mussels from the Mississippi River, shards of glass from Rome, chestnut wood, ink. 93 ½ × 118 ⅛ in. (250 × 300 cm). Collection of Lonti Ebers, New York City. Image courtesy of kurimanzutto, Mexico City
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Jimmie Durham (b. 1940), Untitled (On a Scale of One Through Ten, Recalcitrant Trends, Ill Wind, Seven Lines Indicating Various Colors and Trends, The Turquoise Line is Probably Indicative, Red and Blue Meeting, Water, Lightning and Anger, Clearly, Not Everything Functions, Indications of the Frequent Escape Mechanisms of Clarity, From Normality..., More a Process Than a Beginning and an End), 2013. Suite of eleven drawings; graphite and pencil on paper. Two sheets, 11 ½ × 16 ½ in. (29.5 × 42 cm); two sheets, 16 ½ × 23 ¼ in. (42 × 59 cm); seven sheets, 20 × 28 ¾ in. (51 × 73 cm). Courtesy of the artist and kurimanzutto, Mexico City