Jeff Koons: A Retrospective
June 27–Oct 19, 2014
Celebration
8
Koons conceived his series Celebration in 1994 as a paean to the milestones that mark a year and the cycle of life. Fittingly, it was inspired by an invitation to design a calendar for which he created photographs that referred to holidays and other joyous events. These images formed the basis for large-scale sculptures and paintings that the artist hoped might serve both as archetypal symbols accessible to a broad public and as a personal reminder to his abducted son that the boy was constantly on his father’s mind. Taken as a whole, the sixteen paintings and twenty sculptures of Celebration evoke birth, love, religious observances, and procreation, whether in the form of a cracked egg, a giant heart, the paraphernalia of a birthday party, or the sexually suggestive curves and crevices of a balloon animal.
Balloon Dog (Yellow), 1994–2000
Despite its ten-foot stature and one-ton weight, Balloon Dog (Yellow) uncannily conveys its ephemeral source. Koons worked with a specialized foundry in California to cast and finish the work’s sixty separate precision-engineered, stainless steel parts. He stipulated not only that the outside of the sculpture should capture the curves and puckers of a balloon dog but also that its inside suggest the free circulation of air, as if it were actually fashioned from a single balloon. Koons imparted Balloon Dog (Yellow) with an air of innocent playfulness as well as elements that suggest sexual orifices and protuberances. He has hinted at the sculpture’s darker themes by comparing its form to a Trojan horse, the giant wooden gift that the Greeks bestowed on their Trojan enemies, while Greek soldiers lurked inside. Like all of the Celebration sculptures, Balloon Dog (Yellow) is one of five examples in different colors, lending each version a unique character and distinct emotional charge.