Jay DeFeo: A Retrospective

Feb 28–June 2, 2013

A collage of a white rose against a black background by Jay DeFeo.
A collage of a white rose against a black background by Jay DeFeo.

Jay DeFeo, Untitled, 1973. Collage with cut gelatin silver print, torn paper, and paint on gelatin silver print photogram, 10 x 8 in. (25.4 x 20.3 cm). San Francisco Museum of Modern Art; purchase through a gift of Robin Wright and the Accessions Committee Fund: gift of Barbara and Gerson Bakar, Shawn and Brook Byers, Jean and James E. Douglas, Jr., Pamela and Richard Kramlich, Mary and Howard Lester, and Nancy and Steven Oliver. © 2013 The Jay DeFeo Trust / Artists Rights Society (ARS), New York. Photograph by Don Ross

This retrospective is the definitive exhibition to date of the work of Jay DeFeo (1929–89). At the outset of her career in the 1950s, DeFeo was at the center of a vibrant community of Beat artists, poets, and musicians in San Francisco. Although she is best known for her monumental painting The Rose (1958–66, now in the Whitney's collection), which she spent eight years making and which later languished hidden behind a wall for two decades, DeFeo created an astoundingly diverse range of works spanning four decades. Her unconventional approach to materials and intensive, physical process make DeFeo a unique figure in postwar American art who defies easy categorization. The full breadth of her work will be presented for the first time in this exhibition of more than 130 objects. This astonishing array of collages, drawings, paintings, photographs, small sculptures, and jewelry will illuminate DeFeo's courageous experimentation and extraordinary vision. 

Jay DeFeo: A Retrospective is organized by Dana Miller, Curator of the Permanent Collection.

Major support for Jay DeFeo: A Retrospective is provided by the National Committee of the Whitney Museum of American Art and The Andy Warhol Foundation for the Visual Arts.

Generous support is provided by the Horace W. Goldsmith Foundation, the Lannan Foundation, and the National Endowment for the Arts. 

Additional support is provided by Louisa Stude Sarofim, Susan Weeks and David Coulter, Francis H. Williams, M. Bernadette Castor and David R. Packard, the Clinton Hill/Allen Tran Foundation, Sarah Peter, the Elizabeth A. Sackler Museum Educational Trust, and an anonymous donor.

Special thanks to The Jay DeFeo Trust.




On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

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