Henry Taylor: B Side

Oct 4, 2023–Jan 28, 2024


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The dress, ain't me

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Taylor is the youngest of eight children in a large extended family whose members—from his mother, father, siblings, aunts, uncles, and cousins to his own three children—appear frequently in his work. Taylor's parents moved from the East Texas cotton town of Naples to Oxnard, California, in 1944, making them among the millions of Black Americans who left the segregated South in search of greater economic opportunities and social freedoms during the post-World War II phase of the Great Migration. Their experiences, and the stories he heard from them growing up, instilled in Taylor a sensitivity to the cultural and political currents affecting Black Americans. As with his other works, Taylor paints his family from memory, in-person sittings, and snapshots.

Henry Taylor, i'm yours, 2015

A portrait of the artist, his son, and his daughter against a pink background. The figures are arranged such that the artist's face and shoulders take up the right half of the painting, partially blocking the torso of his son, who stands behind him, and his daughter, who is pictured in the top left corner. They gaze at the audience with a neutral expression.
A portrait of the artist, his son, and his daughter against a pink background. The figures are arranged such that the artist's face and shoulders take up the right half of the painting, partially blocking the torso of his son, who stands behind him, and his daughter, who is pictured in the top left corner. They gaze at the audience with a neutral expression.

Henry Taylor, i'm yours, 2015. Acrylic on canvas, 73 1/8 × 74 1/4 in. (185.74 × 188.6 cm). Institute of Contemporary Art, Boston; acquired through the generosity of the Acquisitions Circle. © Henry Taylor. Courtesy the artist and Hauser & Wirth. Photograph by Sam Kahn

Taylor based this work on a photograph of himself and his son. While creating the painting, he added a portrait of his daughter in the background. By filling the foreground with an imposing, closely cropped image of himself assertively staring at the viewer, and staggering the figures of his children as if they are receding into space, Taylor creates an unconventional family portrait whose ambiguous title, i’m yours, raises the question of who is being possessed and by whom.


On the Hour

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Maya Man, A Realistic Day In My Life Living In New York City

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