Fast Forward: Painting from the 1980s presents a focused look at painting from this decade with works drawn entirely from the Museum’s collection.
In the 1980s, painting recaptured the imagination of the contemporary art world against a backdrop of expansive change. An unprecedented number of galleries appeared on the scene, particularly in downtown New York. Groundbreaking exhibitions—that blurred distinctions between high and low art—were presented at alternative and artist-run spaces. New mediums, including video and installation art, were on the rise. Yet despite the growing popularity of photography and video, many artists actively embraced painting, freely exploring its bold physicality and unique capacity for expression and innovation.
The exhibition includes work by artists often identified with this explosive period—Jean-Michel Basquiat, Sherrie Levine, David Salle, and Julian Schnabel—as well as by several lesser-known painters. These artists explored the traditions of figuration and history painting, and offered new interpretations of abstraction. Many addressed fundamental questions about artmaking in their work, while others took on political issues including AIDS, feminism, gentrification, and war. In the face of a media-saturated environment, artists in the 1980s recommitted to painting. Far from dead, painting came to represent an important intersection between new ways of seeing and a seemingly traditional way of making art.
Fast Forward: Painting from the 1980s is organized by Jane Panetta, associate curator, with Melinda Lang, curatorial assistant.
Press Highlights
"The Whitney Revisits the '80s, a Decade of Macho and Money." —The New York Times
“The powerful excitement of the decade has been languishing in a blind spot of art history. An exhibit at the Whitney comes to the rescue.” —The New Yorker
"An absorbing group show that brings together about 40 paintings by as many artists." —WNYC
“A show of 1980s American painting at the Whitney Museum includes serious and playful meditations on sexuality, AIDS, wealth, and politics.” —The Daily Beast
“The Whitney Exhibition Fast Forward: Painting from the 1980s Reinforces the Purpose of Painting” —Forbes
Installation photography
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Kenny Scharf, When Worlds Collide, 1984. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Kenny Scharf, When Worlds Collide, 1984; Julia Watchel, Membership, 1984. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to right: Jean Michel Basquiat, LNAPRK, 1982; Keith Haring, Untitled, 1983-1984. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to right: Jean Michel Basquiat, LNAPRK, 1982; Keith Haring, Untitled, 1983-1984. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). George Condo, Brown Expanding Drawing Painting, 1991. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Julia Watchel, Membership, 1984; Meyer Vaisman, Souvenir, 1987; Kathe Burkhart, Prick: from the Liz Taylor Series (Suddenly Last Summer), 1987. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Julia Watchel, Membership, 1984; Christopher Wool, Untitled, 1990 and Peter Cain, Z, 1989. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Peter Cain, Z, 1989 and Christopher Wool, Untitled, 1990. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Meyer Vaisman, Souvenir, 1987; Kathe Burkhart, Prick: from the Liz Taylor Series (Suddenly Last Summer), 1987; Walter Robinson, Baron Sinister, 1986. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Terry Winters, Good Government, 1984; Ross Bleckner, Count No Count, 1989. Photograph by Ron Amstutz
Installation view of Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Ross Bleckner, Count No Count, 1989; Moira Dryer, Portrait of a Fingerprint, 1988 and Mary Heilmann, Big Bill, 1987. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Moira Dryer, Portrait of a Fingerprint, 1988; Mary Heilmann, Big Bill, 1987 and Martin Wong, Closed, 1984-1985. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Susan Rothenberg, Turning Fork, 1980; Carlos Alfonzo, Told, 1990. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Susan Rothenberg, Turning Fork, 1980; Carlos Alfonzo, Told, 1990; Terry Winters, Good Government, 1984. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Julian Schnabel, Hope, 1982; Leon Golub, White Squad I, 1982. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Leon Golub, White Squad I, 1982. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Left to Right: Robert Colescott, The Three Graces: Art, Sex and Death, 1981; Louisa Chase, Limb, 1981. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Eric Fischl, A Visit To / A Visit From / The Island, 1983. Photograph by Ron Amstutz
Installation view of Fast Forward: Painting from the 1980s (Whitney Museum of American Art, New York, January 27, 2017-May 14, 2017). Julian Schnabel, Hope, 1982. Photograph by Ron Amstutz