Dreamlands: Immersive Cinema and Art, 1905–2016

Oct 28, 2016–Feb 5, 2017


Exhibition artists

76 total
Lorna Mills
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Lorna Mills


Installation view of Dreamlands: Immersive Cinema and Art, 1905–2016 (Whitney Museum of American Art, New York, October 28, 2016–February 5, 2017). Lorna Mills (b. 1958), Ways of Something, 2014-15. Left to right: Episode 1, Episode 2, Episode 3, and Episode 4. Video, color, sound; durations vary. Whitney Museum of American Art, New York; promised gift of Robert Rosenkranz P.2016.14.1-4. Photograph by Ron Amstutz

Lorna Mills

Ways of Something is a twenty-first century response to “Ways of Seeing,” a four–part BBCtelevision series from 1972 on the history of art presented by the British critic John Berger, who critiqued the hidden ideologies in traditional Western art history. Artist Lorna Mills invited 113 fellow artists working in new media  fields to replace the visual component of one–minute segments of Berger’s program with digital artworks responding to, and critiquing, his now-dated thesis, which can still be heard since Mills retained the original television audio tracks. A critical analysis of linear perspective, the body, and painting that seemed radical in 1972 triggers a rethinking when juxtaposed with digital imagery and webcam videos that turn art–historical conventions of the visual image inside out.

Installation view of Dreamlands: Immersive Cinema and Art, 1905–2016 (Whitney Museum of American Art, New York, October 28, 2016–February 5, 2017). Lorna Mills (b. 1958), Ways of Something, 2014-15. Left to right: Episode 1, Episode 2, Episode 3, and Episode 4. Video, color, sound; durations vary. Whitney Museum of American Art, New York; promised gift of Robert Rosenkranz P.2016.14.1-4. Photograph by Ron Amstutz

Lorna Mills (b. 1958), Ways of Something, 2014-15


Explore works from this exhibition
in the Whitney's collection

View 39 works

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.