Christine Sun Kim: All Day All Night

Through Sept 21


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The Grid of Prefixed Acousmatics, 2017

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The term “acousmatic” describes sound that is heard without its originating source being visible, such as an off-screen noise in a movie. For Kim there is a similarity between this type of sound—which can be conveyed in writing by closed captions—and the sound of American Sign Language (ASL) interpreters “voicing” a Deaf person. As the artist has explained, these ceramic sculptures are “cementing sounds” in three dimensions to illustrate acousmatic experiences and other personal associations. For each of the pairs within this work, Kim chose different prefixes, such as “scrib” (write, written), “post” (after), and “aur” (ear), and combined them with the word “acousmatic” to consider sound’s relationship to the visual. In Aur-Acousmatic, Kim sculpted a long, vertically oriented ear, which she annotates as “a block of ears, pile of ears.”

Christine Sun Kim, The Grid of Prefixed Acousmatics, 2017

Art gallery wall with framed sketches and a display case of small sculptures on a wooden floor.
Art gallery wall with framed sketches and a display case of small sculptures on a wooden floor.

Installation view of Christine Sun Kim: All Day All Night (Whitney Museum of American Art, New York, February 8-July 6, 2025). On left, clockwise from top left: Aur-Acousmatic, 2017; Scrib-Acousmatic, 2017; Ambi-Acousmatic, 2017; Mega-Acousmatic, 2017; Arch-Acousmatic, 2017; Post-Acousmatic, 2017. From left to right: Feedback Aftermath, 2012; Pianoiss . . . issmo (Worse Finish), 2012. Photograph by Ron Amstutz



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On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.