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High Wire: Calder’s Circus at 100 | Art & Artists

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Calder continued exploring the theme of the circus in a series of ink drawings created in 1931 and 1932. These works were neither based on direct observation nor attempts to depict the circus realistically. In these “three-dimensional line drawings,” as he called them, Calder translates his radical approach to sculpture—using wire to shape lines, forms, and volumes—back onto the flat surface of paper. The Catch IV depicts the clasped hands of the trapeze artists as if all three dimensions could be shown simultaneously. In Two Acrobats, Calder further plays with the idea of dimensionality by drawing a single acrobat on each side of the paper; displaying the work with both sides visible reveals the acrobats’ bodies to be connected.

A person bending backward over a shallow oval pool while balancing near a ball.

A simple continuous-line drawing of a person leaping with arms outstretched near the top of the page.

Exhibition works

Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 9, 2026). Projection: Carlos Vilardebó, Le Cirque Calder, 1961. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 9, 2026). In vitrines: Alexander Calder, Calder’s Circus, 1926-31. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 9, 2026). From left to right: Alexander Calder, Two Acrobats, 1932; Alexander Calder, Lone Pole, 1932; Alexander Calder, Sphérique I, 1931; Alexander Calder, Object with Red Discs, 1931; Alexander Calder, Big Red, 1959; Alexander Calder, Little Ball with Counterweight, c. 1931; Projection: Carlos Vilardebó, Le Cirque Calder, 1961. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 9, 2026). From left to right: Alexander Calder, The Catch IV, 1932; Alexander Calder, Tightrope Walker, 1932; Alexander Calder, Two Acrobats, 1932; Alexander Calder, Lone Pole, 1932. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 9, 2026). From left to right: Alexander Calder, Victorine (The Circus Queen), 1928; Alexander Calder, Wire Sculpture by Calder, 1928; Alexander Calder, Acrobats, 1929; Alexander Calder, The Brass Family, 1929; Alexander Calder, Circus Scene, 1929; Alexander Calder, Acrobats, c. 1927. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 9, 2026). From left to right: Alexander Calder, Acrobats, 1929; Alexander Calder, The Brass Family, 1929; Alexander Calder, Circus Scene, 1929; Alexander Calder, Acrobats, c. 1927; Alexander Calder, Untitled (Circus scene; polo match), c. 1926; Alexander Calder, The Flying Trapeze, 1925. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 9, 2026). From left to right: Alexander Calder, Big Red, 1959; Projection: Carlos Vilardebó, Le Cirque Calder, 1961; Alexander Calder, The Wild Beast Cage, 1932; Alexander Calder, Tumbler on Swing, 1931; Alexander Calder, On the High Wire, 1932. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 9, 2026). From left to right: Alexander Calder, Sphérique I, 1931; Alexander Calder, Object with Red Discs, 1931; Alexander Calder, Little Ball with Counterweight, c. 1931. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). In vitrine: Alexander Calder, Calder’s Circus, 1926–31. Back, from left to right: Alexander Calder, The Catch IV, 1932; Alexander Calder, Tightrope Walker, 1932; Alexander Calder, Two Acrobats, 1932; Alexander Calder, Sphérique I, 1931; Alexander Calder, Little Ball with Counterweight, c. 1931; Alexander Calder, Big Red, 1959; Projection: Carlos Vilardebó, Le Cirque Calder, 1961. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). In vitrines: Alexander Calder, Calder’s Circus, 1926–31. Projection: Carlos Vilardebó, Le Cirque Calder, 1961. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). In vitrine: Alexander Calder, Calder’s Circus, 1926–31. Back, from left to right: Alexander Calder, Wire Sculpture by Calder, 1928; Alexander Calder, Acrobats, 1929; Alexander Calder, The Brass Family, 1929; Alexander Calder, Circus Scene, 1929; Alexander Calder, Acrobats, c. 1927. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). From left to right: Alexander Calder, The Flying Trapeze, 1925; In vitrine: Alexander Calder, Calder’s Circus, 1926–31. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). In vitrine: Alexander Calder, Calder’s Circus, 1926–31. Back, from left to right: Alexander Calder, Wire Sculpture by Calder, 1928; Alexander Calder, The Brass Family, 1929; Alexander Calder, Circus Scene, 1929; Alexander Calder, Untitled (Circus scene; polo match), c. 1926; Alexander Calder, The Flying Trapeze, 1925. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). In vitrines: Alexander Calder, Calder’s Circus, 1926–31. Back, from left to right: Alexander Calder, Wire Sculpture by Calder, 1928; Alexander Calder, Acrobats, 1929; Alexander Calder, The Brass Family, 1929; Alexander Calder, Circus Scene, 1929; Alexander Calder, Acrobats, c. 1927; Alexander Calder, Untitled (Circus scene; polo match), c. 1926; Alexander Calder, The Flying Trapeze, 1925. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). In vitrine: Alexander Calder, Calder’s Circus, 1926–31. Back, from left to right: Alexander Calder, The Catch IV, 1932; Alexander Calder, Tightrope Walker, 1932; Alexander Calder, Two Acrobats, 1932. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). From left to right: Alexander Calder, Wire Sculpture by Calder, 1928; Alexander Calder, Acrobats, 1929; Alexander Calder, The Brass Family, 1929. In vitrine, from left to right: Alexander Calder, Invitations to performance of Calder’s Circus/Cirque Calder (7 Villa Brune, Paris), 1930; Alexander Calder, Invitation to performance of Calder’s Circus/Cirque Calder (Chez Hawes-Harden, New York), 1929; Alexander Calder, Invitation to performance of Calder’s Circus/Cirque Calder (Chez Matter, New York), 1942; Alexander Calder, Invitation to performance of Calder’s Circus/Cirque Calder (7 Villa Brune, Paris), 1930; Alexander Calder, Invitations to performance of Calder’s Circus/Cirque Calder (14 rue de la Colonie, Paris), 1932; Alexander Calder, Invitation to performance Calder’s Circus/Cirque Calder (Fifty-Sixth Street Galleries, New York), 1929. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025-March 2026). In vitrine: Alexander Calder, Calder’s Circus, 1926-31. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). In vitrine: Materials related to the history of Calder’s Circus at the Whitney and the “Save the Circus” acquisition campaign, 1971–82. On monitor: “Conserving Calder’s Circus”, 2012. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). From top to bottom: Alexander Calder, Wire Sculpture by Calder, 1928; Alexander Calder, Victorine (The Circus Queen), 1928; In vitrine, from left to right: Alexander Calder, Untitled (Circus ring), 1925; “Seeing the Circus with ‘Sandy’ Calder,” National Police Gazette, May 23, 1925; Calder with a series of Action Toys, Gould Manufacturing Company, Oshkosh, Wisconsin, 1929; “Statement on Wire Sculpture,” 1929; Clippings of articles about Calder from The World (New York) [“His Elephants Don’t Drink”], January 18, 1931; Paris-Midi [“Le Plus Petit Cirque du Monde”], April 23, 1931; and Chicago Tribune (Paris edition) [“American Artist Wins Praise For His Work In Wire”], May 2, 1931. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). From top to bottom: Alexander Calder, Victorine (The Circus Queen), 1928; In vitrine, from left to right: Alexander Calder, Untitled (Circus ring), 1925; “Seeing the Circus with ‘Sandy’ Calder,” National Police Gazette, May 23, 1925; Calder with a series of Action Toys, Gould Manufacturing Company, Oshkosh, Wisconsin, 1929; “Statement on Wire Sculpture,” 1929; Clippings of articles about Calder from The World (New York) [“His Elephants Don’t Drink”], January 18, 1931; Paris-Midi [“Le Plus Petit Cirque du Monde”], April 23, 1931; and Chicago Tribune (Paris edition) [“American Artist Wins Praise For His Work In Wire”], May 2, 1931. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). From top to bottom: Alexander Calder, The Brass Family, 1929; In vitrine, from left to right: Alexander Calder, Invitations to performance of Calder’s Circus/Cirque Calder (7 Villa Brune, Paris), 1930; Alexander Calder, Invitation to performance of Calder’s Circus/Cirque Calder (Chez Hawes-Harden, New York), 1929; Alexander Calder, Invitation to performance of Calder’s Circus/Cirque Calder (Chez Matter, New York), 1942; Alexander Calder, Invitation to performance of Calder’s Circus/Cirque Calder (7 Villa Brune, Paris), 1930; Alexander Calder, Invitations to performance of Calder’s Circus/Cirque Calder (14 rue de la Colonie, Paris), 1932; Alexander Calder, Invitation to performance Calder’s Circus/Cirque Calder (Fifty-Sixth Street Galleries, New York), 1929. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). From top to bottom: Alexander Calder, Acrobats, c. 1927; In vitrine, from left to right: André Kertész, Calder with the Circus, Paris, 1929; Thomas Bouchard, Calder with the Circus, c. 1931; Fred Hamilton, Calder performing the Circus, New York, c. 1942; Brassaï, Spear Thrower and Cowboy acts from Calder’s Circus, Paris, c. 1931; Fred Hamilton, Calder performing the Circus, New York, c. 1942; Fred Hamilton, Louisa Calder with the Circus, New York, c. 1942; Suitcases for Calder’s Circus at Galerie Maeght, Paris, c. 1953; Rufus Stillman, Calder with the Circus, Roxbury, Connecticut, 1953. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz
Installation view of High Wire: Calder’s Circus at 100 (Whitney Museum of American Art, New York, October 18, 2025–March 2026). From top to bottom: Alexander Calder, Acrobats, c. 1927; In vitrine, from left to right: André Kertész, Calder with the Circus, Paris, 1929; Thomas Bouchard, Calder with the Circus, c. 1931; Fred Hamilton, Calder performing the Circus, New York, c. 1942; Brassaï, Spear Thrower and Cowboy acts from Calder’s Circus, Paris, c. 1931; Fred Hamilton, Calder performing the Circus, New York, c. 1942; Fred Hamilton, Louisa Calder with the Circus, New York, c. 1942; Suitcases for Calder’s Circus at Galerie Maeght, Paris, c. 1953; Rufus Stillman, Calder with the Circus, Roxbury, Connecticut, 1953. © 2026 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Ron Amstutz