Amy Sherald: American Sublime

Through Aug 10


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Although Sherald is a painter, photography is at the heart of her process. Her interest in creating portraits of Black people stems, in part, from a childhood fascination with family snapshots and albums, which she studied to learn about relatives she had never met. In her view, photography offered Black Americans their first opportunity to create self-narratives: “We could pose ourselves, and we could represent ourselves, and we could show up in these images the way that we wanted to be seen.”

Sherald’s process begins by choosing a model, composing them carefully with clothing and props, and then photographing them. The final photograph serves as a study from which to create a painting. Thus, while her works are based on specific individuals, they are simultaneously speculative and imaginary— worlds unto themselves.

Mama Has Made the Bread (How Things Are Measured), 2018

Person in a black and white polka dot dress with a black fur stole, wearing large gold earrings, against a pink background.
Person in a black and white polka dot dress with a black fur stole, wearing large gold earrings, against a pink background.

Amy Sherald, Mama Has Made the Bread (How Things Are Measured), 2018. Oil on canvas, 54 × 43 × 2 1/2 in. (137.16 × 109.22 × 6.35 cm). Private Collection. © Amy Sherald. Courtesy the artist and Hauser & Wirth. Photograph by Joseph Hyde



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On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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