Amelia Winger-Bearskin: SKY/WORLD DEATH/WORLD

Dec 15, 2022–Apr 10, 2023

Screenshot of webpage with a diptych image on the left, with trees on one side and blue and purple mirrored shapes on the other, and a poem on the right. The image and the poem are contained within a black shape, with a maroon background behind.
Screenshot of webpage with a diptych image on the left, with trees on one side and blue and purple mirrored shapes on the other, and a poem on the right. The image and the poem are contained within a black shape, with a maroon background behind.

Amelia Winger-Bearksin, screenshot of Sky/World Death/World at sunset, 2022

Amelia Winger-Bearskin’s SKY/WORLD DEATH/WORLD combines animations and text to connect sunrise and sunset with Indigenous myths. The SKY/WORLD of sunrise references the Haudenosaunee story of Sky Woman, who belonged to the sky people, a tribe rooted in the heavens before the world was created. After falling through a hole made by an uprooted tree, Sky Woman constructed a home on earth from the oceans and mud with the help of animals. Winger-Bearskin pairs abstract animations of dawn created in a game engine with the question “Who benefits from your burnout?” The DEATH/WORLD of sunset asks “What is made bright by the loss of your light?” and hints at the thin veil between sleep and death. The accompanying animation mixes abstract visuals with a video clip of the artist that had been part of one of her artworks. The work had disappeared but the footage was recovered from the Internet Archive, a testament to both the ephemerality of digital work and the potential of recovery. Winger-Bearskin originally wrote the questions raised in SKY/WORLD DEATH/WORLD for a series of billboards by the artist collective For Freedoms, of which she is a member.


Amelia Winger-Bearskin (b. 1979; Rochester, New York) uses artificial intelligence to positively impact communities and the environment. She is the founder of the AI Climate Justice Lab and the Talk to Me About Water collective. Winger-Bearskin’s award-winning podcast Wampum.Codes explores an ethical framework for software development based on Indigenous values of co-creation.

In 2022 she was awarded a Sundance Art of Practice Fellowship for SKY WORLD/CLOUD WORLD. In 2018 she served as a delegate at the summit Fostering Universal Ethics and Compassion through Museums hosted by the Dalai Lama in Dharamshala, India. Her projects have been featured at the Sundance Film Festival and the Museum of Modern Art, New York. Winger-Bearskin is a Banks Family Preeminence Chair of Artificial Intelligence and the Arts at the Digital Worlds Institute, University of Florida, Gainesville. She is Haudenosaunee (Iroquois) and an enrolled member of the Seneca-Cayuga Nation of Oklahoma, Deer Clan, on her mother’s side and Jewish/Baháa’í on her late father’s side.


Sunrise/Sunset

Sunrise/Sunset was a series of internet art projects that marked sunset and sunrise in New York City every day from 2009 to 2024. All were commissioned by the Whitney specifically for whitney.org, each project unfolding over a time frame of ten to thirty seconds. Indicating the switch from day to night and vice versa in one specific location, Sunrise/Sunset projects played with the perception of time and space, underscoring the physical location of the Whitney and the global accessibility of virtual environments.


artport

View more on artport, the Whitney Museum's portal to internet art and its online gallery space for commissions of net art.

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.