Print and Process After Johns
Thurs, Jan 27, 2022
6 pm
Jasper Johns, Hand, 1963. Lithograph: one stone, 22 1/2 × 17 1/2 in. (57.2 × 44.5 cm). Printed by Zigmunds Priede; published by Universal Limited Art Editions. Edition no. 18/29. The Metropolitan Museum of Art, New York; Florence and Joseph Singer Collection, 65.674.5. © 2021 Jasper Johns and ULAE / VAGA at Artists Rights Society (ARS), New York
Become a member today!
Join now to enjoy early access to exhibitions and events, unlimited free admission, guest privileges, and more.
Join nowThis event will have automated closed captions through Zoom. Live captioning is available for public programs and events upon request with seven business days advance notice. We will make every effort to provide accommodation for requests made outside of that window of time. To place a request, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.
Learn more about access services and programs.
Online, via Zoom
Throughout his career, Jasper Johns has approached printmaking as a process for experimentation and discovery, and his work across all mediums has been informed by concepts inherent to print, such as reversal, replication, and contact. Inspired by Johns’s example, this program brings together three artists—Kahlil Robert Irving, Matt Saunders, and Tschabalala Self—who work with printmaking techniques, materials, and concepts in innovative ways to explore broader questions about the medium. The conversation is moderated by Kim Conaty, Steven and Ann Ames Curator of Drawings and Prints.
