Classification
Photographs
Medium
Gelatin silver print
Dimensions
Sheet: 19 15/16 × 23 3/4 in. (50.6 × 60.3 cm)
Image: 19 1/8 × 23 1/8 in. (48.6 × 58.7 cm)
Accession number
2025.12
Credit line
Purchase, with funds from the Katherine Schmidt Shubert Purchase Fund
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Piliāmo‘o, Ka iʻa hao, 10.7.90, 1990; Piliāmo‘o, Hoʻopālua ʻia ka mana wai o Hālawa, 9.8.91, 1991; Piliāmo‘o, Hoʻopulu ke kuahiwi me ka mano wai, 5.13.90, 1990; An-My Lê , 29 Palms: Guard, Combat Operations Center, 2003-04; Artie Vierkant, Exposure Adjustment on a Sunset, 2009; LaToya Ruby Frazier, Landscape of the Body (Epilepsy Test), 2011. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Miguel Luciano, The People's Pulpit, 2022; Hiram Maristany, Hydrant: In the Air, 1963, printed 2021; Hiram Maristany, Juan Gonzalez, Minister of Education of the Young Lords, at original storefront office headquarters, 1969, printed 2021; Sophie Rivera, Untitled, c. 1982; Sophie Rivera, Untitled, c. 1982; John Ahearn, Miss Kate, 1982; Rigoberto Torres, Julio, José, and Junito, 1991/1995; Tabboo!, Looking Uptown from My Roof, 1998; Michael Joo, Salt Transfer Cycle, 1994; Piliāmo‘o, Hoʻopulu ke kuahiwi me ka mano wai, 5.13.90, 1990; An-My Lê, 29 Palms: Guard, Combat Operations Center, 2003-04. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Piliāmo‘o, Ka iʻa hao, 10.7.90, 1990; Piliāmo‘o, Hoʻopālua ʻia ka mana wai o Hālawa, 9.8.91, 1991; Piliāmo‘o, Hoʻopulu ke kuahiwi me ka mano wai, 5.13.90, 1990; An-My Lê, 29 Palms: Guard, Combat Operations Center, 2003-04; Keith Mayerson, 9-11, 2007; Jane Dickson, Heading in – Lincoln Tunnel 3, 2003; Salman Toor, Man with Face Creams and Phone Plug, 2019. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes