Piliāmo‘o, Ka iʻa hao, 10.7.90, 1990. Gelatin silver print, sheet: 23 7/8 × 19 7/8 in. (60.6 × 50.5 cm) Image: 23 1/8 × 19 5/8 in. (58.7 × 49.8 cm). Whitney Museum of American Art, New York; purchase, with funds from the Katherine Schmidt Shubert Purchase Fund 2025.10
Not on view
Date
1990
Classification
Photographs
Medium
Gelatin silver print
Dimensions
Sheet: 23 7/8 × 19 7/8 in. (60.6 × 50.5 cm)
Image: 23 1/8 × 19 5/8 in. (58.7 × 49.8 cm)
Accession number
2025.10
Credit line
Purchase, with funds from the Katherine Schmidt Shubert Purchase Fund
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
-
Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Piliāmo‘o, Ka iʻa hao, 10.7.90, 1990; Piliāmo‘o, Hoʻopālua ʻia ka mana wai o Hālawa, 9.8.91, 1991; Piliāmo‘o, Hoʻopulu ke kuahiwi me ka mano wai, 5.13.90, 1990; An-My Lê , 29 Palms: Guard, Combat Operations Center, 2003-04; Artie Vierkant, Exposure Adjustment on a Sunset, 2009; LaToya Ruby Frazier, Landscape of the Body (Epilepsy Test), 2011. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
-
Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Piliāmo‘o, Ka iʻa hao, 10.7.90, 1990; Piliāmo‘o, Hoʻopālua ʻia ka mana wai o Hālawa, 9.8.91, 1991; Piliāmo‘o, Hoʻopulu ke kuahiwi me ka mano wai, 5.13.90, 1990; An-My Lê, 29 Palms: Guard, Combat Operations Center, 2003-04; Keith Mayerson, 9-11, 2007; Jane Dickson, Heading in – Lincoln Tunnel 3, 2003; Salman Toor, Man with Face Creams and Phone Plug, 2019. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes