On view
Floor 6
Date
2022
Classification
Sculpture
Medium
Fifty cedar logs finished with tung oil
Dimensions
Dimensions variable, see components
Accession number
2024.336a-xx
Credit line
Whitney Museum of American Art, New York; gift of the artist in honor of Adam D. Weinberg
Rights and reproductions
© artist or artist's estate
Exhibitions
Installation photography
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Martha Jane Pettway, Sweep, 1980; Maya Lin, Ghost Forest Baseline Y, 2022; Purvis Young, Overtown, 1988; Lonnie Holley, Untitled, 1995; Purvis Young, Ants and the Establishment, c. 1980-85; Bessie Harvey, Cross Bearers, 1993; Joe Minter, The First Fireplace, 1998; Carlos Villa, My Roots, 1970-71; Suzanne Jackson, It is our woods, 1973. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Nancy Holt, Locator (Studio Corner), 1971; Gordon Matta-Clark, Tree Dance, 1971; Jenny Calivas, Self-Portrait While Buried #16, 2021, printed 2023; Jenny Calivas, Self-Portrait While Buried #1, 2019, printed 2023; Laura Aguilar, Three Eagles Flying, 1990; Amalia Mesa-Bains, Cihuateotl with Hand Mirror from Venus Envy Chapter III: Cihuatlampa, the Place of the Giant Women, 1997-2022; Michael Joo, Salt Transfer Cycle, 1994; Maya Lin, Ghost Forest Baseline Y, 2022; Troy Michie, Yo Soy Un Puente Tendido / This Is My Home, 2019; Carolina Caycedo, Rio Ribeira, 2016; Carolina Caycedo, The Binding/El amarre, 2017. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Patrick Martinez, Migration Is Natural, 2019, fabricated 2021; Leslie Martinez, A Sublime Concealment of Time, 2023; Amalia Mesa-Bains, Cihuateotl with Hand Mirror from Venus Envy Chapter III: Cihuatlampa, the Place of the Giant Women, 1997-2022; Maya Lin, Ghost Forest Baseline Y, 2022; Carlos Villa, My Roots, 1970-71; Suzanne Jackson, It is our woods, 1973; Luis Jimenez, Sidewinder, 1988; Guadalupe Maravilla, Requiem for my border crossing and my undocumented father's #6, 2016-18; Teresita Fernández, Fire (America) 3, 2016. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Maya Lin, Ghost Forest Baseline Y, 2022; Carolina Caycedo, Rio Ribeira, 2016; Carolina Caycedo, The Binding/El amarre, 2017; Kunié Sugiura, Tree Trunk 1, 1971; Sonya Kelliher-Combs, Polar Bear Curl, 2017. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes