Recto
Not on view
Date
1973
Classification
Paintings
Medium
Acrylic on canvas
Dimensions
Overall: 60 3/8 × 60 1/2 in. (153.4 × 153.7 cm)
Accession number
2023.93a-b
Credit line
Purchase, with funds from the Painting and Sculpture Committee
Rights and reproductions
© Suzanne Jackson
Exhibitions
Installation photography
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Martha Jane Pettway, Sweep, 1980; Maya Lin, Ghost Forest Baseline Y, 2022; Purvis Young, Overtown, 1988; Lonnie Holley, Untitled, 1995; Purvis Young, Ants and the Establishment, c. 1980-85; Bessie Harvey, Cross Bearers, 1993; Joe Minter, The First Fireplace, 1998; Carlos Villa, My Roots, 1970-71; Suzanne Jackson, It is our woods, 1973. Photograph by Ron Amstutz
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Installation view of Shifting Landscapes (Whitney Museum of American Art, New York, November 1, 2024-January 2026). From left to right: Patrick Martinez, Migration Is Natural, 2019, fabricated 2021; Leslie Martinez, A Sublime Concealment of Time, 2023; Amalia Mesa-Bains, Cihuateotl with Hand Mirror from Venus Envy Chapter III: Cihuatlampa, the Place of the Giant Women, 1997-2022; Maya Lin, Ghost Forest Baseline Y, 2022; Carlos Villa, My Roots, 1970-71; Suzanne Jackson, It is our woods, 1973; Luis Jimenez, Sidewinder, 1988; Guadalupe Maravilla, Requiem for my border crossing and my undocumented father's #6, 2016-18; Teresita Fernández, Fire (America) 3, 2016. Photograph by Ron Amstutz
From the exhibition Shifting Landscapes